2018<\/p>\n
1\/1\/1\/1\/1<\/strong> DIE SPUREN<\/strong> 2017<\/p>\n \u201e[(.;,:?!\u2013\u2026)]\u201d<\/strong> CROSSOVER\/S<\/strong> NERVE.\u00a0CONSTRUCTION<\/strong> 2015<\/p>\n 2013<\/p>\n fragment\u00a0<\/b> Signals<\/b> 2012<\/p>\n bes-sennosh-ch<\/b> 2011<\/p>\n fragment Arbeitsplatz Ctrl<\/b> 2010<\/p>\n Wir sehen dich 2009<\/p>\n How It Is Topography Gravity 2008<\/p>\n 17 x 23,5 x 1,6 Jetzt<\/b> 2007<\/p>\n Tristes Tropiques Reflejos condicionados<\/b> AAA + rauchsignale 2006<\/p>\n Lichtzwang<\/b> 2005<\/b><\/p>\n Hipnoza 2004<\/p>\n Bon voyage 2003<\/p>\n winterreise 2002<\/p>\n dig,dug,dug cekaonica<\/b> 2001<\/p>\n eclipse Ruhe<\/b> Around 21?15?00?E 52?06?17?N\u00a0<\/b>+GO-GO (1985?2001) 2000<\/p>\n Between meals 1999<\/p>\n Sza<\/b> 1998<\/p>\n Hygiene A memorial 1997<\/p>\n Revision 1986?1997 a,e,i,o,u Selection 1995<\/p>\n Dawn 1994<\/p>\n Winterhilfsverein Die Rampe 1993<\/p>\n 37,I\u00a0(cont.) 1992<\/p>\n 36,6 bitte 1991<\/p>\n April \/ My body cannot do everything I ask for xxx 1990<\/p>\n Good God 1989<\/p>\n River 1986<\/p>\n Percepta Patris Mei Servivi Semper<\/b> 2018 1\/1\/1\/1\/1 Text by Anda Rottenberg, preface by Viola Wojnowski Edited by Anda Rottenberg Published by Op enheim, Wroc\u0142aw ISBN 978-83-952245-0-8 DIE SPUREN Texts by Stefanie Kreuzer and Klaus Theweleit Edited by Stefanie Kreuzer for Museum Morsbroich Published by DISTANZ VERLAG, Berlin ISBN 978-3-95476-233-0 2017 \u201e[(.;,:?!\u2013\u2026)]\u201d Texts by Alicja Knast and Anda Rottenberg Published by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":317,"menu_order":9996,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["page"],"acf":[],"_links":{"self":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":24,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/319\/revisions"}],"predecessor-version":[{"id":2585,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/319\/revisions\/2585"}],"up":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/317"}],"wp:attachment":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/media?parent=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nText by Anda Rottenberg, preface by Viola Wojnowski
\nEdited by Anda Rottenberg
\nPublished by Op enheim, Wroc\u0142aw
\nISBN 978-83-952245-0-8<\/p>\n
\nTexts by Stefanie Kreuzer and Klaus Theweleit
\nEdited by Stefanie Kreuzer for Museum Morsbroich
\nPublished by DISTANZ VERLAG, Berlin
\nISBN 978-3-95476-233-0<\/p>\n
\nTexts by Alicja Knast and Anda Rottenberg
\nPublished by Muzeum \u015al\u0105skie, Katowice
\nISBN 978-83-62593-93-4<\/p>\n
\nTexts by Roberto Calasso, Anda Rottenberg, Simone Menegoi
\nEdited by Vicente Todoli
\nPirelli HangarBicocca
\nPublished by Mousse Publishing, Milan
\nISBN 9788867493067<\/p>\n
\nTexts by Kasia Redzisz, Allegra Pesenti,\u00a0Marta Dziewa\u0144ska, Zbigniew Miko\u0142ejko, Jaros\u0142aw Suchan, Maria Morzuch<\/p>\n
\nText by Natalia Goncharova, Mikhail Mindlin, Vitaly Patsukov
\nCentre for Contemporary Art, Moscow ISBN 978-5-94620-084-4<\/p>\n
\n<\/i>Edited by Piia Oksanen, Paula Toppila
\nIHME Contemporary Art Festival, Helsinki ISSN 1799-8239<\/p>\n
\nText by Katarzyna Bojarska,
\nGaleria Labirynt, Lublin ISBN 987-83-932239-1-6<\/p>\n
\n<\/b>Text by Zygmunt Bauman, Marek\u00a0Go\u017adziewski, Julian Heynen, Piotr Krajewski, Frances Morris
\n<\/b>Centre for Contemporary Art Ujazdowski Castle, Warsaw<\/p>\n
\n<\/b>Text by Iwona Szmelter
\n<\/i>Salon Akademii, Academy of Fine Arts in Warsaw, Warsaw<\/b><\/p>\n
\n<\/i>Text by Lynne Cooke, Zbigniew Herbert, Georges Didi-Huberman
\n<\/i>Museo Reina Sof\u00eda, Madrid<\/p>\n
\n<\/b>Text by Julian Heynen, Pia M\u00fcller-Tamm, Regine Hess, Holger Jacob-Friesen
\n<\/i>Staatliche Kunsthalle, Karlsruhe<\/p>\n
\n<\/b>Edited by Helen Sainsbury
\n<\/b>Text by Zygmunt Bauman, Paulo Herkenhoff, Julian Heynen, Laszlo Krasznahorkai
\n<\/i>Tate Modern, London <\/b><\/p>\n
\n<\/b>Edited by Suzanne Cotter
\nText by Suzanne Cotter and James E. Young
\nModern Art Oxford, Oxford<\/p>\n
\n<\/b>Text by Barbara London, Gregory Salzman, Miros\u0142aw Ba\u0142ka
\nUniversity of Massachusetts, Amherst<\/p>\n
\n<\/b>Text by Michael Archer, Zygmunt Bauman
\nWhite Cube, London<\/p>\n
\nText by Piotr Krajewski
\nWRO Art Center, Wroclaw<\/p>\n
\n<\/b>Text by Claude L\u00e9vi-Strauss, Enrique Juncosa, Caoimhim Mac Giolla Leith
\nIrish Museum of Modern Art, Dublin<\/p>\n
\nText by Juan Vicente Aliaga, Julian Heynen, Miroslaw Balka
\nFundaci\u00f3n Marcelino Bot\u00edn, Santander<\/p>\n
\n<\/b>Text by Leila Topic
\nMuseum of Modern and Contemporary Art, Rijeka<\/p>\n
\nText by Julian Heynen
\nK21, D\u00fcsseldorf<\/p>\n
\n<\/b>Text by Marek Wasilewski
\n<\/i>Galeria Arsenal, Bialystok<\/p>\n
\n<\/b>Edited by Emmanuel Guigon
\nText by Emmanuel Guigon, Juan Vicente Aliaga, Stephane Lentz
\nMus\u00e9es de la Ville de Strasbourg, Strasbourg<\/p>\n
\n<\/b>Texts by Mieczyslaw Porebski, interview with artist by Rafal Jakubowicz
\nGaleria Starmach, Cracow<\/p>\n
\n<\/b>Text by John Hutchinson
\n<\/i>The Douglas Hyde Gallery, Dublin<\/p>\n
\nText by Nada Beros
\nMuseum of Contemporary Art, Zagreb<\/p>\n
\n<\/b>Text by Andree van der Kerckhove
\nKr\u00f6ller-M\u00fcller Museum, Otterlo<\/p>\n
\n<\/i>Text by Rafal Jakubowicz
\n<\/i>BWA, Zielona Gora<\/p>\n
\n<\/b>Text by Bart de Bare, Magdelena Kardasz, Anda Rottenberg and Rafal Jakubowicz
\nGaleria Zacheta, Warsaw and SMAK, Gent<\/p>\n
\n<\/b>Texts by Akiko Kasuya, Miroslaw Balka
\n<\/i>The National Museum of Art, Osaka<\/p>\n
\n<\/i>Foksal Gallery, Warsaw<\/i><\/p>\n
\n<\/b>Text by Marek Gozdziewski
\nGaleria Labirynt 2, Lublin<\/p>\n
\n<\/b>Texts by Ann-SofieNoring, Annika Ohrner
\nStatens Konstr?ds, Stockholm<\/p>\n
\n<\/b>Text by SJ Beyzym, Juan Vicente Aliaga, interview with artist by Juan Vicente Aliaga
\n<\/i>IVAM, Valencia<\/p>\n
\n<\/b>Text by Adam Szymczyk
\nFoksal Gallery, Warsaw<\/p>\n
\n<\/b>Text by Karin Hellandsjo, Andrzej Przywara, Neal Benezra, interview with the artist by Adam Szymczyk
\nMuseet for Samtidskunst, Oslo<\/p>\n
\n<\/b>Text by Frances Morris
\nTate Gallery, London<\/p>\n
\n<\/b>Text by Zdenka Badovinac
\nModerna Galerija, Ljubljana<\/p>\n
\n<\/b>Text by Jan Debbaut, Maria Morzuch, Selma Klein Essink, Anda Rottenberg, interview with the artist by Jaromir Jedlinski
\n<\/i>Van Abbemuseum, Eindhoven and Museum Sztuki, Lodz<\/p>\n
\n<\/b>Text by Anda Rottenberg
\nPolish Pavilion, XLV Biennale di Venezia, Venice<\/p>\n
\n<\/b>Text by Julian Heynen and Peter Schjeldahl
\nThe Renaissance Society, Chicago and MIT List Visual Arts Center, Cambridge, MA<\/p>\n
\n<\/b>Text by Julian Heynen
\nMuseum Haus Lange, Krefeld<\/p>\n
\n<\/b>Text by Andrzej Przywara
\nFoksal Gallery, Warsaw<\/p>\n
\n<\/b>Text by Christoph Blas\u00e9
\n<\/i>De Appel Foundation, Amsterdam<\/p>\n
\n<\/b>Text by Joanna Kiliszek
\n<\/i>Galeria Dziekanka, Warsaw<\/p>\n
\n<\/b>Text by Maria Morzuch
\n<\/b>Galeria Labirynt 2, Lublin<\/p>\n
\n<\/i>Text by Anda Rottenberg
\n<\/i>Galeria Pokaz, Warsaw<\/p>","protected":false},"excerpt":{"rendered":"