{"id":322,"date":"2013-09-02T19:07:27","date_gmt":"2013-09-02T17:07:27","guid":{"rendered":"http:\/\/miroslaw-balka.com\/?page_id=322"},"modified":"2023-11-14T16:46:45","modified_gmt":"2023-11-14T15:46:45","slug":"press","status":"publish","type":"page","link":"https:\/\/miroslaw-balka.com\/en\/publications\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

2023<\/strong><\/p>\n

ZAWSZE FRAGMENT<\/strong>Anda Rottenberg, Vogue Poland, June 2023 [PL]<\/p>\n

2022<\/strong><\/p>\n

Lo spazio del suono, lo spazio della storia. Miros\u0142aw Ba\u0142ka e Pawe\u0142 Mykietyn (La montagna incantata, 2015 e Herr Thadd\u00e4us, 2017), <\/strong> Laura Quercioli Mincer, \u2018900 Transnazionale 6 (2022) [IT]<\/p>\n

2021<\/strong><\/p>\n

Miroslaw Balka\u2019s How It Is Showed Me the Way Out of My Own Darkness, <\/strong>Pragya Agarwal, Elephant Magazine [EN], read here<\/a><\/p>\n

The romantic manifesto AD 2021. A night will drive a heart\u00a0<\/em>in Wroc\u0142aw Contemporary Museum<\/strong>, Anna Walewska, Contemporary Lynx Magazine [EN], read here<\/a><\/p>\n

Z kolekcjonerskiego zami\u0142owania kr\u00f3la. Wystawa arras\u00f3w na Wawelu, <\/strong>Marta Gruszecka, Gazeta Wyborcza Krak\u00f3w [PL], read here<\/a><\/p>\n

2020<\/strong><\/p>\n

Miros\u0142aw Ba\u0142ka, o del mondo contaminato<\/strong>, Laura Quercioli Mincer, ANTINOMIE SCRITTURE E IMMAGINI, 2020 [IT] read here<\/a><\/p>\n

LAURA QUERCIOLI MINCER<\/p>\n

Is Contemporary Art Frightened of Fear?<\/strong>, Martin Herber, ArtReview, October 2020 [EN] read here<\/a><\/p>\n

Wyzwania edukacji<\/strong>, an interview with Betina Fekser and Maria Prawelska, MOCAK Forum, 1\/2020 [16], October 2020 [PL]<\/p>\n

Ich prace osi\u0105gaj\u0105 zawrotne sumy. Kompas Sztuki 2020<\/strong>, Kama Zboralska, Rzeczpospolita, 13.05.2020 [PL]
\nread here<\/a><\/p>\n

Gra na nosie. “Kradzie\u017ce i zniszczenia” w ba\u0142ostockim Arsenale<\/strong>, Agata Pyzik, Magazyn Szum, 24.04.2020 [PL]
\nread here<\/a><\/p>\n

Do\u015bwiadczenie przestrzeni<\/strong>, an interview with Katarzyna Jagodzi\u0144ska, Architektura&Biznes, nr 3, March 2020 [PL]
\nread here<\/a><\/p>\n

Ponownie przychodz\u0105c. Miros\u0142aw Ba\u0142ka w Galerii Labirynt 2, <\/strong>Piotr Kosiewski, Magazyn Szum, 24.01.2020 [PL]
\nread here<\/a><\/p>\n

A step into the future<\/strong> – a discussion moderated by Miroslaw Balka, Architektura – murator, no. 304, January 2020 [PL\/EN]<\/p>\n

2019<\/strong><\/p>\n

Bramy za sob\u0105 t\u0119skni\u0105. Miros\u0142aw Ba\u0142ka podarowa\u0142 jedno skrzyd\u0142o Galerii Arsena\u0142, <\/strong>Gazeta Wyborcza Bia\u0142ystok, Monika \u017bmijewska, 30.10.2019 [PL]
\nread here<\/a><\/p>\n

Interview with Miroslaw Balka – Ba\u0142ka: Utrwalanie \u015blad\u00f3w<\/strong>, Harper’s Bazaar Poland, no. 12, December 2019 [PL]<\/p>\n

Drawing Room Play of Miroslaw Balka<\/strong>, 6.11.2019 [EN]
\nread here<\/a><\/p>\n

Dyskurs polskiej krytyki artystycznej w epoce transformacji,\u00a0<\/strong>Dorota Monkiewicz, Magazyn Szum, 27.07.2019 [PL]
\nread here<\/a><\/p>\n

Le dolcezze del peccato di Miroslaw Balka al Museo del Fiore Sardo di Gavoi,\u00a0<\/strong>Interview with Luigi Fassi, ATP Diary, 30.06.2019 [IT]
\nread here<\/a><\/p>\n

Una fontana di whiskey per omaggiare James Joyce. L\u2019opera di Miroslaw Balka a Gavoi,<\/strong> Giulia Ronchi, Artribune, 25.06.2019 [IT]
\nread here<\/a><\/p>\n

Uzdrowisko i letnisko,<\/strong> Renata Senktas, Przekr\u00f3j, nr 3 (3566)\/19, June-September 2019, p.84-85, 91 [PL]
\nread here<\/a><\/p>\n

Tu nikt nie siedzi w drugim rz\u0119dzie. Rozmowa z Miros\u0142awem Ba\u0142k\u0105, Tymkiem Bryndalem i Ann\u0105 Shimomur\u0105,<\/strong> Jakub Banasiak, Magazyn Szum, 3.05.2019 [PL]
\nread here<\/a><\/p>\n

Na ko\u0144cu \u015brodka \u015bwiata<\/strong>, Piotr Kosiewski, Tygodnik Powszechny, 15.04.2019, nr 16 (3641) [PL]
\nread here<\/a><\/p>\n

Czarodziejskie g\u00f3ry, czyli sztuka wysoko,<\/strong> Stach Szab\u0142owski, Przekr\u00f3j, 22.03.2019, 3565\/2019 [PL]
\nread here<\/a><\/p>\n

The Artists London Was Talking About This Winter,<\/strong> Digby Warde-Aldam, Artsy, 12.03.2019 [EN]
\nread here<\/a><\/p>\n

“A Woman Looking at Men Looking at Women” at Muzeum Susch. Kasia Redzisz and Francesco Tenaglia in conversation,<\/strong> Mousse Magazine, 11.03.2019 [EN]
\nread here<\/a><\/p>\n

The Art of Our Times. Miros\u0142aw Ba\u0142ka at White Cube<\/strong>, Maria Markiewicz, Contemporary Lynx, 4.03.2019 [EN]
\nread here<\/a><\/p>\n

Muzeum sztuki Susch<\/strong>, Werner Huber, Piotr Sarzy\u0144ski, Architektura Murator, 03\/2019\/294 [PL]
\nread here<\/a><\/p>\n

On a mission to bring art to a Swiss valley<\/strong>, Caroline Roux, The Financial Times, 19.02.2019 [EN]
\nread here<\/a><\/p>\n

The Top 7 Art Exhibitions to see in London<\/strong>, Tabish Khan, FAD Magazine, 10.02.2019 [EN]
\nread here<\/a><\/p>\n

The Biggest Exhibitions To See In London Right Now<\/strong>, Tabish Khan, Londonist, 9.02.2019 [EN]
\nread here<\/a><\/p>\n

Miroslaw Balka: Random Access Memory review, <\/strong>Eddy Frankel, Time Out London, 5.02, 2019 [EN]
\nread here<\/a><\/p>\n

Granice \u015bwiata wed\u0142ug Miros\u0142awa Ba\u0142ki<\/strong>, Piotr Kosiewski, Tygodnik Powszechny, 28.01.2019, nr 5 (3630) [PL]
\nread here<\/a><\/p>\n

Pami\u0119tniki – \u015bwiadkowie los\u00f3w ofiar Holokaustu<\/strong>, Sputnik, 26.01.2019 [PL]
\nread here<\/a><\/p>\n

Mur w galerii. Rze\u017aba Miros\u0142awa Ba\u0142ki ma nam przysporzy\u0107 cierpienia<\/strong>, Aleksander Hudzik, 26.01.2019 [PL]
\nread here<\/a><\/p>\n

Top Art Shows in London this Week: Peter Joseph to Miroslaw Balka<\/strong>, Blouin ArtInfo, 25.01.2019 [EN]
\nread here<\/a><\/p>\n

One of Poland’s Richest Women Is Turning a Swiss Village into a Haven for Art by Women<\/strong>, Anne Louie Sussman, Artsy, 25.01.2019 [EN]
\nread here<\/a><\/p>\n

Guardian zachwyca si\u0119 Miros\u0142awem Ba\u0142k\u0105. Ju\u017c wkr\u00f3tce w Londynie jego nowa instalacja<\/strong>, Onet, 24.01.2019 [PL]
\nread here<\/a><\/p>\n

Hot topic: Miros\u0142aw Ba\u0142ka on putting Trump-style walls in a gallery heated to 45C<\/strong>, Andrew Dickson, The Guardian, 24.01.2019 [EN]
\nread here<\/a><\/p>\n

Back to the art cave! Inside Switzerland’s magical new gallery<\/strong>, Oliver Wainwright, The Guardian, 22.01.2019 [EN]
\nread here<\/a><\/p>\n

Critic’s choice<\/strong>, Jackie Wullschlager, The Financial Times, 19.01.2019 [EN]
\nread here<\/a><\/p>\n

Ka\u017cdemu \u017cycz\u0119 \u017ceby by\u0142 takim niewolnikiem jak ja<\/strong>, Ma\u0142gorzata Piwowar, Rzeczpospolita Plus Minus, 11.01.2019, 2 (1347) [PL]
\nread here<\/a><\/p>\n

Polish art in the period of populism<\/strong>, 1Adam Mazur, Erste Stiftung, 10.01.2019 [EN]
\nread here<\/a><\/p>\n

Wgryzanie w Gryzoni\u0119<\/strong>, Piotr Sarzy\u0144ski, Polityka, 8.01.2019, nr 2 (3193) [PL]
\nread here<\/a><\/p>\n

2018<\/strong><\/p>\n

Wystawa Ba\u0142ki we Wroc\u0142awiu: Oczyszczaj\u0105ce \u015bwiat\u0142o ojczyzny<\/strong>, Ma\u0142gorzata Piwowar, Rzeczpospolita, 06.12.2018
\nread here<\/a><\/p>\n

Szwajcarska wizja Gra\u017cyny Kulczyk<\/strong>, Jacek Cie\u015blak, Rzeczpospolita, 05.12.2018
\nread here<\/a><\/p>\n

Gra\u017cyna Kulczyk za setki milion\u00f3w buduje muzeum w Szwajcarii. Dlaczego pozwolili\u015bmy, by muzeum mi\u0119dzynarodowej rangi wynios\u0142o si\u0119 za granic\u0119?,\u00a0<\/strong>W\u0142odzimierz Kalicki, Gazeta Wyborcza Du\u017cy Format, 03.12.2018
\nread here<\/a><\/p>\n

Catastrophe and the Power of Art at Mori Art Museum<\/strong>, Tokyo, Michael Do, ArtReview Asia, Winter 2018.
\nread here<\/a><\/p>\n

Dom otwarty, miasto zamkni\u0119te. Miros\u0142aw Ba\u0142ka w OP ENHEIM<\/strong>, Marcin Ludwin, Magazyn Szum, 02.11.2018
\nread here<\/p>\n

Anda Rottenberg: Budujemy mozolnie swoj\u0105 ojczyzn\u0119<\/strong>, Basia Czy\u017cewska, Vogue Polska, 29.10.2018
\nread here<\/p>\n

Prywatna archeologia<\/strong>, Wojciech Delikta, Vogue Polska, 18.10.208.
\nread here<\/a><\/p>\n

Pi\u0142eczka<\/strong>, rozmowa z Paw\u0142em Mykietynem i Miros\u0142awem Ba\u0142k\u0105, Anda Rottenberg, Vogue Polska, pa\u017adziernik 2018.<\/p>\n

Thinking is a piece of craftsmanship, I teach people to think. In conversation with Miroslaw Balka<\/strong>, Michalina Sablik, Contemporary Lynx, 14.03.2018.
\nread here<\/a><\/p>\n

Po\u015bwiadek, przeciw-postronny i (niczyja) trauma<\/strong>, Roma Sendyka, Widok. Teorie i praktyki kultury wizualnej, North America, 0, mar. 2018.
\nread here<\/a><\/p>\n

Let’s make it easier [rysunek],\u00a0<\/strong>Miros\u0142aw Ba\u0142ka,\u00a0Journal der Kunste 06, kwiecie\u0144 2018<\/p>\n

Socjologia w ludzkim j\u0119zyku, <\/strong>Miros\u0142aw Ba\u0142ka, Miesi\u0119cznik ZNAK, (01) 2018<\/p>\n

2017<\/strong><\/p>\n

gdy rozbola\u0142y mnie z\u0119by poszed\u0142em do pani L.<\/strong>, Miros\u0142aw Ba\u0142ka, Zag\u0142ada \u017byd\u00f3w. Studia i Materia\u0142y, nr 13, Stowarzyszenie Centrum Bada\u0144 nad Zag\u0142ad\u0105 \u017byd\u00f3w, Warszawa 2017. ISSN 1895-247X<\/p>\n

Dead End. Permanent event at the Tel Aviv Museum of Art in Tel Aviv, Israel<\/strong>, Wall Street International, 22.12.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

The Best Art of 2017<\/strong>, Roberta Smith, Holland Cotter, Jason Farago, The New York Times, 6.12.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Wyj\u0105tkowy koncert w Filharmonii. Muzyka Mykietyna, scenografia Ba\u0142ki. Orkiestra w\u015br\u00f3d widowni. Dyrygent twarz\u0105 do publiczno\u015bci<\/strong>, Ewa Podgajna, Gazeta Wyborcza, 12.12.2017<\/p>\n

Kroky do Tmy Miros\u0142awa Ba\u0142ky<\/strong>, Petra Lexova, Milk&Honey, 29.11.2017<\/p>\n

What is the task of the arts in the 21st century?<\/strong>, Journal der Kunste, 04 Special Edition: the Members, ISSN 2510-5221,\u00a0listopad 2017<\/p>\n

Strach we wn\u0119trzu kopalni. Do niezwyk\u0142ej pracy Miros\u0142awa Ba\u0142ki mo\u017cna ju\u017c wej\u015b\u0107 w Muzeum \u015al\u0105skim w Katowicach,\u00a0<\/strong>Karol Sienkiewicz, Gazeta Wyborcza, 14.11.2017<\/p>\n

You don’t need to see a work of art in the flesh to love it says Miroslaw Balka<\/strong>, Miros\u0142aw Ba\u0142ka, Tate Etc., Issue 41 Autumn 2017<\/p>\n

Miros\u0142aw Ba\u0142ka. Galleria Raffaella Cortese<\/strong>, Eugenio Viola, Artforum, September 2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Elogio de la oscuridad,\u00a0<\/strong>\u00c1ngela Molina, El Pais, 10.07.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Miroslaw Balka: \u201dCROSSOVER\/S\u201d i Hangar Bicocca i Milano,\u00a0<\/strong>Magnus Bons, Dagens Nyheter, 11.07.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Didattica, memoria e responsabilit\u00e0. <\/strong>Intervista a Miroslaw Balka,\u00a0<\/strong>Maria Rosa Sossai, Artibune, 10.07.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Le trappole luminose di Balka<\/strong>, Gabi Scardi, Il sole 24ore, 02.07.2017<\/p>\n

Miroslaw Balka<\/strong>, Francesca Tarocco, frieze, 29.06.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

La Lettura\u00a0<\/strong>[ok\u0142adka], Corriere della Sera, 18.06.2017<\/p>\n

Una copertina un artista. Il confine tra falso e giusto<\/strong>, Gianluigi Colin, La Lettura, Corriere della Sera, 18.06.2017<\/p>\n

Corpi piegati dalla Storia<\/strong>, Germano Celant, L’Espresso, 18.06.2017<\/p>\n

Miroslaw Balka: CROSSOVER\/S<\/strong>, Agnieszka Gratza, Mousse, 4.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Critics’ Picks: Miroslaw Balka<\/strong>, Jurriaan Benschop, Artforum, 4.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

Tra orrore a sopravvivenza. <\/strong>Miroslaw Balka a Milano<\/strong>, Marilena di Tursi, Artibune, 10.04.2017<\/p>\n

Nel Labirinto di Miroslaw Balka,\u00a0<\/strong>Giovanna Dalla Chiesa, Exibart, 21.03.2017
\nczytaj wi\u0119cej<\/a><\/p>\n

2016<\/strong><\/p>\n

Nerw klasyka<\/strong>, Stach Szab\u0142owski, Art&Bussiness\u00a0ISSN 0867\/3160 nr. 2016<\/p>\n

Ba\u0142ka wed\u0142ug Ba\u0142ki<\/strong>, Karol Sienkewicz, 1.2016
\n<\/a>czytaj wi\u0119cej<\/a><\/p>\n

Miroslaw Balka, Nerve. Construction<\/strong>, Krzysztof Kosciuczuk, 11.02.16<\/p>\n

czytaj wi\u0119cej<\/a><\/p>\n

2015<\/strong><\/p>\n

Trumna dla Modulora,\u00a0<\/strong>Dorota Jarecka, Gazeta Wyborcza, 10.12.2015 PL<\/p>\n

czytaj wi\u0119cej<\/a>\u200b<\/p>\n

Wszystkie Oblicza Miroslawa Ba\u0142ki,\u00a0<\/strong>Martyna Michalska, Gazeta Wyborcza, 27.11.2015 PL<\/p>\n

Jak myj\u0119 r\u0119ce myd\u0142em nie my\u015bl\u0119: Holocaust<\/strong>,\u00a0Iwo Zmy\u015blony<\/p>\n

czytaj wi\u0119cej<\/a><\/p>\n

Nerw i konstrukcja. Ba\u0142ka w \u0141odzi,\u00a0<\/strong>Izabela Adamczewska rozmowa z Jaros\u0142awem Suchanem, Gazeta Wyborcza\u00a02 7 .11.2015 PL<\/p>\n

Het Is Zoals Het Is,\u00a0<\/strong>Lilian Bense, H AERT,\u00a025 September 2015<\/p>\n

Miroslaw Balka: Czasami Zapominam o Kantorze,\u00a0<\/strong>wywiad Piotr Klosiewski,\u00a0Tygodnik Powszechny, 14\/2015<\/p>\n

Nie rze\u017abi\u0119 na zapas, <\/strong>Piotr Sarzy\u0144ski, Polityka, nr 48, 25.11\/1.12.2015<\/p>\n

The boundry between memory and the forgotten,\u00a0<\/strong>Haaretz HBR,\u00a0<\/strong>05.06.2015<\/p>\n

Memory is a wandering concept<\/strong>,\u00a0Haaretz HBR\u00a005.06.2015<\/p>\n

Isreal Museum turns a ‘Brief History of Humankind’ into exhibit,\u00a0<\/strong>Shany Littman,Haaretz.com, 5 May 2015<\/p>\n

Nieznane prace Miros\u0142awa Ba\u0142ki w \u0141odzi<\/strong>, Monika Ma\u0142kowska, Reczpospolita 30.11.2015 PL
\nczytaj wi\u0119cej<\/a><\/p>\n

Non – Existence – a Constituent Feature of Central Europe – in Polish Art (1919-2012)<\/strong>, Tomasz Gryglewicz, Centropa, volume 15 nr 3 September 2015 [EN]. ISSN 1532-5563<\/p>\n

‘Nie ma ziewania’<\/strong>
\nAlek Hudzik, Art&Business, wrzesien 2015 ISSN 0867-3160<\/p>\n

Departament Ciszy,\u00a0<\/strong>Piotr Kosiewski, Tygodnik Powszechny, nr 38, 12 lipca 2015 PL.\u00a0 ISSN 0041-4808<\/p>\n

Kretowisko Zauberberg, Pawe\u0142 Drabarczyk,\u00a0Art & Business, nr 6 2015 PL<\/strong><\/p>\n

Miroslaw Balka on the romance of conceptual art,\u00a0<\/strong>Dylan Kerr, Artspace Magazine, 25 January 2015 [EN] czytaj wi\u0119cej<\/a><\/p>\n

2014<\/strong><\/p>\n

Ba\u0142ka robi przeci\u0105g w Galerii Foksal<\/strong>, Agnieszka Kowalska, Gazeta Wyborcza, 12-18 September 2014 PL<\/p>\n

“Luftzug” Miros\u0142awa Ba\u0142ki w Galerii Foksal<\/strong>, Rzeczpospolita.pl, September 9, 2014 PL
\nczytaj wi\u0119cej<\/a><\/strong><\/p>\n

Art Negotiates with Space,<\/strong> Miroslaw Balka and Kasia Redzisz talk to Monika Rydygier and Natalia Zak, Herito, Nr 15 (2\/2014) ISSN 2082-310X<\/p>\n

Otwock, Poland: Site and Narrative,<\/strong> Tess Edmonson, Afterall online, 08.05.2014 [EN]<\/p>\n

Sukces Artystyczny i komercyjny. Kompas Sztuki 2013-Ranking polskich artyst\u00f3w wsp\u00f3\u0142czesnych<\/strong>, Kama Zboralska, Rzeczpospolita, 17 kwietnia 2014 PL<\/p>\n

For Each Gesture Another Character,\u00a0<\/strong>Krzysztof Kosciuczuk, Frieze Art Magazine, Nr 163, May 2014 [EN]<\/p>\n

The interpretations of darkness<\/strong>, Laura Cumming, The Observer, March 30 2014 [EN]<\/p>\n

Miroslaw Balka: Die Traumdeutung 75, 32 AMSL, <\/strong>Eddy Frankel, Time Out London,\u00a0March 26 2014
\nczytaj wi\u0119cej<\/a> [EN]<\/p>\n

Miroslaw Balka: Die Traumdeutung 25, 31 AMSL, \u00a0<\/strong>Eddy Frankel, Time Out London,\u00a0March 26 2014
\nczytaj wi\u0119cej<\/a> [EN]<\/p>\n

2013<\/strong><\/p>\n

Zas\u0142ona i ekran<\/strong>, Marek Wasilewski, Czas Kultury, Stowarzyszenie Czasu Kultury, Nr 177, 6\/2013. ISSN 0867-2148 PL<\/p>\n

\u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432<\/strong> \u0411\u0430\u043b\u043a\u0430<\/strong>: \u00ab<\/strong>\u042f<\/strong> \u043f\u043e\u0447\u0443\u0432\u0441\u0442\u0432\u043e\u0432\u0430\u043b<\/strong> \u0441\u0442\u044b\u0434<\/strong>,\u00a0<\/strong>\u0410\u043b\u0451\u043d\u0430 \u041b\u0430\u043f\u0438\u043d\u0430,\u00a0<\/em><\/strong>czytaj wi\u0119cej<\/a> RU<\/p>\n

\u0421\u043f\u0443\u0441\u043a\u043e\u0432\u043e\u0439<\/strong> \u043a\u0440\u044e\u0447\u043e\u043a<\/strong> \u043f\u0430\u043c\u044f\u0442\u0438<\/strong>,<\/strong>\u00a0\u0416\u0430\u043d\u043d\u0430 \u0412\u0430\u0441\u0438\u043b\u044c\u0435\u0432\u0430, czytaj wi\u0119cej<\/a> RU<\/p>\n

\u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432<\/strong> \u0411\u0430\u043b\u043a\u0430<\/strong> \u043d\u0430<\/strong> “<\/strong>\u0425\u0443\u0434\u0441\u043e\u0432\u0435\u0442\u0435<\/strong>“,<\/strong>\u00a0czytaj wi\u0119cej<\/a> RU<\/p>\n

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\nczytaj wi\u0119cej<\/a> RU<\/p>\n

\u0420\u0430\u043d\u0430<\/strong> \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u043e\u0432<\/strong>,<\/strong>\u00a0\u0410\u043d\u043d\u0430 \u0422\u043e\u043b\u0441\u0442\u043e\u0432\u0430,\u00a0<\/strong>czytaj wi\u0119cej<\/a> RU<\/p>\n

\u0414\u043e\u0441\u0442\u0443\u0447\u0430\u0442\u044c\u0441\u044f<\/strong> \u0434\u043e<\/strong> \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e<\/strong> \u0441\u043e\u0437\u043d\u0430\u043d\u0438\u044f<\/strong>,\u00a0<\/strong>\u0421\u043e\u043d\u044f \u0428\u043f\u0438\u043b\u044c\u0431\u0435\u0440\u0433,\u00a0<\/strong>czytaj wi\u0119cej<\/a> RU<\/p>\n

\u041c\u0438\u0440\u043e\u0441\u043b\u0430\u0432<\/strong> \u0411\u0430\u043b\u043a\u0430<\/strong>. Fragment,\u00a0<\/strong>\u0424\u0430\u0438\u043d\u0430 \u0411\u0430\u043b\u0430\u0445\u043e\u0432\u0441\u043a\u0430\u044f,\u00a0czytaj wi\u0119cej<\/a> RU<\/p>\n

Nudne Miasteczko Otwock?,<\/strong>\u00a0Agnieszka Kowalska, Co Jest Grane, Gazeta Wyborcza, 25-30. 10. 2013 PL<\/p>\n

Against the Archive, <\/strong>Text by Ory Dessau, Flash Art Magazine 10.2013 [EN]<\/p>\n

Wolnosc i Wideo, <\/strong>Talk between Joanna Targon, Delfina Jalowik, Monika Koziol, Gazeta Wyborcza\u00a012.10.2013 PL<\/p>\n

Stilletto<\/strong>, Ed. Laurence Benaim, Stiletto Editions, Paris ISSN 1763-4881<\/p>\n

W poszukiwaniu ikonoklast\u00f3w<\/strong>, www.culture.pl, [PL\/EN]<\/p>\n

Miroslaw Balka: ‘The Order of Things’<\/strong>, My Art Guides, New York [EN]<\/p>\n

Miroslaw Balka: ‘The Order of Things’<\/strong>, Ken Johnson, New York Times Daily Newspaper, New York p.C27, Pub. March 1, 2013 [EN]<\/p>\n

Spotkanie. Bauman i Ba\u0142ka<\/strong>, Katarzyna Bojarska, Przekr\u00f3j, 10033\/2488, p. 48 PL<\/p>\n

Do\u015bwiadczenie Jaskini, rozmowa z Bogn\u0105 \u015awi\u0105tkowsk\u0105 i Paw\u0142em Krzaczkowskim<\/strong>, Notes na 6 Tygodni nr 82, Fundacja Nowej Kultury B\u0119c Zmiana, 1730-9409, p. 116 PL<\/p>\n

\u017bycie w architekturze<\/strong>, Tomasz \u017bylski, Architektura Murator, 02\/2013\/\/221, str. 26 PL<\/p>\n

Gespr\u00e4che \u00fcber pers\u00f6nliche Themen: Miroslaw Balka and\u00a0Roni\u00a0Horn<\/strong> \/ Barbara Casavecchia on Miroslaw Balka and Roni Horn at Galleria Raffaella Cortese, Milan, Art-Agenda, January 07, 2013 [EN]<\/p>\n

2012<\/strong><\/p>\n

Miroslaw Balka and Roni Horn<\/strong>, Simone Menegoi, Artforum International Magazine, New York [EN]<\/p>\n

Robert Kudielka “Im Denkeln werden die Sinne wach. <\/strong>Die Bildkunst von Miroslaw Balka”<\/strong>, Sinn und Form, Januar\/Februar 64. Jahr 2012 1. Heft, Pub. by Akademie der Kunste, Berlin, Ed. by Matthias Weichelt, Gernot Kramer, p. 76-82 ISBN 978-3-943297-03-4 DE<\/p>\n

Koniec \u015bwiata, koniec Otwocka – rozmowa z Joann\u0105 Ruszczyk<\/strong>, Gazeta Wyborcza\/Wysokie obcasy, nr 48, 1.12.2012 PL<\/p>\n

Pojawiaj\u0105ce si\u0119 punkty,<\/strong>\u00a0Linia otwocka, 5-11 listopada 2012 PL<\/p>\n

Linia otwocka,<\/strong>\u00a0Piotr Kosiewski,\u00a0Sosnowy klimat<\/strong>, Agnieszka Sabor, Tygodnik Powszechny 45, 4.11.2012, PL<\/p>\n

Prawda Karskiego,\u00a0<\/strong>Jacek Cie\u015blak, Rzeczpospolita 30.11.2012 PL<\/p>\n

Otwock – wprowadzenie,<\/strong>\u00a0Agnieszka Kowalska, Gazeta Sto\u0142eczna \/ Co jest grane, 19-25 pa\u017adziernika 2012 PL<\/p>\n

Zdigitalizowa\u0107 wszystko<\/strong>, Tadeusz Sobolewski, Gazeta Wyborcza, 29.10.2012 PL<\/p>\n

O wystawie bes-sennosh-ch,<\/strong>\u00a0Galeria Labirynt,<\/strong>\u00a0Kultura i Program TV, dodatek do Dziennik Gazeta Prawna, 28.09.2012 PL<\/p>\n

Aspiracje. Journal of Warsaw Schools of Arts<\/strong>, Autumn 2012, Pub. by Academy of Fine Arts in Warsaw, Text by MB “d13”, p. 32. ISSN 1732-6125 PL<\/p>\n

Dziel\u0119 si\u0119 szumami\u00a0<\/strong>– rozmowa z Cezarym Polakiem, Kultura i Program TV, dodatek do Dziennik Gazeta Prawna, 28.09.2012 PL<\/p>\n

Miroslaw Balka ojentaa helsinkilaisille viestittajan liput,<\/strong>\u00a0Ani Uimonen, Helsingin Sanomat, 28.09.2012 FIN<\/p>\n

Wystawa Miros\u0142awa Ba\u0142ki. Galeria Labirynt,<\/strong>\u00a0Gazeta Wyborcza\/Lublin, 22-23.09.2012 PL<\/p>\n

Polscy arty\u015bci w obronie Pussy Riot,<\/strong>\u00a0Gazeta Wyborcza, 6.08.2012 PL<\/p>\n

Rysunki, wideo i 14 dkg chleba<\/strong>, Rozmowa z Piotrem \u017buchowskim, Gazeta Wyborcza, 21-22.07.2012 PL<\/p>\n

Conference\/The Penzance Convension,<\/strong> Colin Perry, Art Monthly, Jul-Aug 12 [EN]<\/p>\n

Words of Darkness and of Light,<\/strong>\u00a0Ha’aretz, Uzi Zur, 10\/5\/2012 ISR<\/p>\n

2011<\/strong><\/p>\n

Back to the castle,\u00a0Brendan Jackson,\u00a0The Vodka Project – in search of the spirit, 20th February, 2011
\n<\/strong>http:\/\/www.thevodkaproject.net\/2011\/02\/20\/back-to-the-castle\/<\/p>\n

Was mir der Schneeball erz\u00e4hlt Angriffe auf den Verstand: Miroslaw Balka in der Berliner Akademie der K\u00fcnste,<\/strong>\u00a0Tomasz Kurianowicz, Frankfurter Allgemeine Zeitung, 22.11.2011 DE<\/p>\n

Edukacja i curating . Wystawa ” Obok . Polska \u2013 Niemcy”<\/strong>, Szymon Piotr Kubiak, Arteon, 11 \/ 2011<\/p>\n

Wege der Angst,<\/strong>\u00a0Claudia Wahjudi, Der Tagesspiegel, 10.11.2011 DE<\/p>\n

Hallo Nachbarn!<\/strong>, Sebastian Preuss, Berliner Zeitung, 05.11.2011<\/p>\n

Korridor mit Kriegsschatten. Die Akademie der K\u00fcnste pr\u00e4sentiert Videokunst des Polen Miroslaw Balka<\/strong>, Daniela Fuchs-Frotscher, Neues Deutschland, 04.11.2011<\/p>\n

Miroslaw Balka at Norenhake Galerie,<\/strong>\u00a0Mark Prince, Berlin, Frieze , September 2011<\/p>\n

W tej ch\u0142odni jest potencja\u0142,\u00a0<\/strong>Dorota Jarecka, Gazeta Wyborcza, 23.09.2011<\/p>\n

Miroslaw Balka “Wege zur behandlung von Schmerzen”<\/strong>, Joanna Zielinska, Dwutygodnik, 68\/2011<\/p>\n

Szklanka do po\u0142owy pe\u0142na,\u00a0<\/strong>Agnieszka Wolny-Hamka\u0142o, Tygodnik Powszechny, 13.09.2011<\/p>\n

Z dziennika cha\u0142turnika<\/strong>, Roman Paw\u0142owski, Gazeta Wyborcza, 10.09.2011<\/p>\n

Sztuka na EKK: Wielka, stalowa i brud w ni\u0105 wp\u0142ywa,\u00a0<\/strong>Agata Saraczy\u0144ska, Gazeta Wyborcza Wroc\u0142aw, 9.09.2011<\/p>\n

O kulturze, dla kultury,<\/strong> Ewa Orczykowska Red, Co jest grane, Wroclaw, Gazeta Wyborcza, 9.09.2011<\/p>\n

Balka i wielu innych,<\/strong> Agata Saraczynska, Wroclaw, Gazeta Wyborcza, 11.08.2011<\/p>\n

Sukces sztuki o Janie Karskim,<\/strong>\u00a0Jacek Cie\u015blak, Rzeczpospolita, 8.07.2011<\/p>\n

Karski et les fantomes du ghetto de Varsovie<\/strong>, Armelle Heliot, Le Figaro, 6.07.2011<\/p>\n

Filmowe portrety prof.Zygmunta Baumana<\/strong>, Monika Kuc, Rzeczpospolita, 5.07.2011<\/p>\n

Fragment I jego cien ( odlamki widzenia Miroslaw Balki ),<\/strong>Katarzyna Fazan, Didskalalia, 103\/ 105 VI \/ VIII 2011<\/p>\n

Miroslaw Balka “Arbeitsplatz”<\/strong>, Karol Sienkiewicz, Dwutygodnik, 57\/2011<\/p>\n

Artysta sie kiwa,<\/strong>\u00a0Stach Szablowski, Przekroj, nr 21 23 V 2011<\/p>\n

Alternative Now!,\u00a0<\/strong>Agata Saraczynska rozmowa z Piotrem Krajewskim, Gazeta na Wro, Gazeta Wyborcza, 5.05.2011<\/p>\n

Na topie, wspolczesni klasycy,<\/strong> Kama Zbolarska, Piotr Ceglowski, Rzeczpospolita, 14.04.2011<\/p>\n

Dziala magia znanego nazwiska,\u00a0<\/strong>Kama Zbolarska, Rzeczpospolita, 14.04.2011<\/p>\n

Artysci z ugruntowana pozycja<\/strong>, Kama Zbolarska, Rzeczpospolita, 14.04.2011<\/p>\n

Archeologia . Cien traumy zaglady w sztuce Miroslaw Balki,<\/strong>Rafal Jakubowicz, Midrasz, nr 2 III\/IV 2011<\/p>\n

Is He Acting<\/strong>, Colin Graham, issue 66, Sourcr Magazine, spring 2011 [EN]<\/p>\n

Zasysanie i filtrowanie,\u00a0<\/strong>Magdalena Wicherkiewicz, Art & Buisness, 3\/2011<\/p>\n

Przymus swiatla \u2013 projekcje w przestrzeni,<\/strong>\u00a0Kamila Paku\u0142o, Arteon, 3\/2011<\/p>\n

Mapy bez drogi,<\/strong>\u00a0Jakub Majmurek, Krytyka Polityczna, 5.03.2011<\/p>\n

Nawet dzieci my\u015bl\u0105,<\/strong>\u00a0Conversation with Dorota Jarecka, Gazeta Wyborcza, 03.02.2011 PL<\/p>\n

Cia\u0142o pami\u0119ci,\u00a0<\/strong>Agnieszka Sabor, Piotr Kosiewski, Tygodnik Powszechny, 25.01.2011 PL<\/p>\n

\u017byd w Polsce ci\u0105gle jest problemem,<\/strong>\u00a0Conversation with Cezary Polak, Dziennik Gazety Prawnej, nr 14 \/ 21.01.2011 PL<\/p>\n

Ulotne materie, wielkie tematy,<\/strong>\u00a0Anna Theiss, Dziennik Gazety Prawnej, nr 14 \/ 21.01.2011 PL<\/p>\n

Uwaga na Ba\u0142k\u0119. Recenzja wystawy: Miros\u0142aw Ba\u0142ka, Fragment. Wideoprojekcje,<\/strong>\u00a0Piotr Sarzy\u0144ski, Polityka, 18.01.2011 PL<\/p>\n

Ba\u0142ka dla historyk\u00f3w<\/strong>, Dorota Jarecka, Gazeta Wyborcza, 17.01.2011 PL<\/p>\n

Wizerunek Z\u0142ego,\u00a0<\/strong>Marcin Krasny, Wprost, 16.01.2011 PL<\/p>\n

Filmy skromne jak rze\u017aby,\u00a0<\/strong>Bogus\u0142aw Deptu\u0142a, Rzeczpospolita, 14.01.2011 PL<\/p>\n

Poczu\u0107 z\u0142o<\/strong>, Agnieszka Kowalska, Gazeta Wyborcza\/Co Jest Grane, 14-20.01.2011 PL<\/p>\n

Zaglada w niedzielne popoludnie,<\/strong>\u00a0Karol Sienkiewicz, Dwutygodnik, 48 \/ 2011<\/p>\n

2010<\/strong><\/p>\n

Sztuka niemo\u017cliwej mo\u017cliwo\u015bci,\u00a0<\/strong>Katarzyna Bojarska, Teksty Drugie, 5, p. 156-166 [PL]
\nread here<\/a><\/p>\n

Z\u0142o i pi\u0119kno miejsc zag\u0142ady<\/strong>, Agnieszka Kowalska, Gazeta Wyborcza, 13.01.2011 [PL]<\/p>\n

Uciec z szuflady na liter\u0119 \u201eH\u201d<\/strong>, Conversation with Jacek Tomczuk, Przekr\u00f3j, 28.12.2010 PL<\/p>\n

Sztuka wygrywania,<\/strong>\u00a0Dorota Jarecka, Gazeta Wyborcza, 23.12.2010 PL<\/p>\n

Przeciw pomnikom<\/strong>, Dorota Jarecka, Gazeta Wyborcza, 9-10.10.2010 PL<\/p>\n

Kiedy\u015b \u017ali skandali\u015bci, dzi\u015b nowi klasycy,<\/strong>\u00a0Stach Szab\u0142owski, Przekr\u00f3j, 5.10.2010 PL<\/p>\n

Sztuka upami\u0119tniania. Czym si\u0119 r\u00f3\u017cni dobry pomnik od z\u0142ego?<\/strong>, Joanna Ruszczyk, Newsweek, 22.08.2010 PL<\/p>\n

“Nie” dla pomnikowej szmiry<\/strong>, Dariusz Bartoszewicz, Gazeta Wyborcza, 18.08.2010 PL<\/p>\n

Kein Mitleid mit der Kunst<\/strong>, Barbara Gartner, S\u00fcddeutschen Zeitung, 29.07.2010 [DE]<\/p>\n

Kunsthalle bietet Audioguide mit Musik<\/strong>, Badische Neueste Nachrichten, 29.06.2010 [DE]<\/p>\n

Balkov AGOGANYS h\u013ead\u00e1 svetlo v temn\u00fdch str\u00e1nkach<\/strong>, Zuzana Sot\u00e1kov\u00e1, Pravda.sk, 7.06.2010 SK<\/p>\n

Sneh v synag\u00f3ge.,<\/strong>\u00a0Michal Mironov, Denn\u00edk SME, 14.06.2010 SK<\/p>\n

Balka o\u017eivil mrazenie holokaustu<\/strong>, Michal Mironov, MY Trnavsk\u00e9 noviny, 12.6.2010 SK<\/p>\n

Neuer Zugang ze alten Meistern,<\/strong> Christine S\u00fc\u00df-Demuth, Chrismon, 6\/2010 [DE]<\/p>\n

Miros\u0142av Ba\u0142ka, How It is \/ Kako jest<\/strong>, Branko Franceschi, PROJEKT 20\/2010 HR<\/p>\n

Swoja temnota Miroslaw Balki<\/strong>, Maria i Siergiej Kowalewski, Tatlin News, 2(56)83, 2010, RU<\/p>\n

Miros\u0142aw Ba\u0142ka: ‘O\u010di pro\u010di\u0161\u0107enja’ VS. Carsten H\u00f6ller ‘Dvostrunki tobogan’, MSU ZAGREB, 2009<\/strong>, Branko Franceschi, PROJEKT 19\/2010 HR<\/p>\n

Der Betrachter im K\u00e4fig. Die Kunsthalle Karlsruhe wagt ein Experiment und befreit ihre Sammlung,<\/strong> Frankfurter Allgemeine Zeitung, 27.05.2010 [DE]<\/p>\n

Eintritt frei’ beim Museumstag<\/strong>, mag, Der Sonntag, 16.05.2010 [DE]<\/p>\n

Tate misja.<\/strong>, Anna Jastrz\u0119bska, Przekr\u00f3j, 11.05.2010 PL<\/p>\n

\u00dcberseh-Gewohnheiten urchbrechen<\/strong>, Stephan Langer, Konradsblatt, 02.05.2010 [DE]<\/p>\n

Griff ins Herz des Museums,<\/strong> Adrienne Braun, art Das Kunstmagazin, 05\/2010 [DE]<\/p>\n

Kreuzweg der Blicke<\/strong>, Markus Clauer, Die Rheinpfalz, 24.04.2010 [DE]<\/p>\n

Wie Bilder und ihre Botshaften das Denken pragen. Hans Belting diskutiert morgen in Karlsruhe mit Navid Kermani<\/strong>, Badische Neueste Nachrichten, 21.04.2010 [DE]<\/p>\n

Ventilatoren bringen frischen Wind in die Kopfe,<\/strong> Adrienne Braun, Stuttgarter Zeitung, 20.04.2010 [DE]<\/p>\n

Some Notes on Miroslaw Balka\u2019s Work<\/strong>, Ulrich Loock, cura.magazine, Issue 04\/GUEST CURATOR, 20.04.2010 [EN\/IT] http:\/\/www.curamagazine.com\/en\/?p=1028<\/a> [EN]<\/p>\n

Miros\u0142aw Balka: Niech stanie si\u0119 ciemno\u015b\u0107,<\/strong> Ellie Armon Azoulay, New YorkTimes\/mouse.co.il, 18.04.2010 [HE] http:\/\/www.mouse.co.il\/CM.articles_item,416,209,48337,.aspx<\/a><\/p>\n

Hinter Gittern: Neuer Blick auf die Passion<\/strong>, Ute Bauermeister, Badisches Tagblatt, 16.04.2010 [DE]<\/p>\n

Brytyjskie wystawy Miros\u0142awa Ba\u0142ki,<\/strong>\u00a0Anna Ready, Dwutygodnik, 16.04.2010 PL<\/p>\n

Mit gewaschenen Augen den Schmerz erkennen<\/strong>, Michael H\u00fcbl, Kultur, 15.04.2010 [DE]<\/p>\n

Blick durchs Gitter. Zeitgen\u00f6ssische Kunst: Ausstellung in Karlsruhe zeigt ungewohnte Sicht auf Werke von Cranach und D\u00fcrer<\/strong>, Christine S\u00fc\u00df-Demuth, Main-Echo, 15.04.2010 [DE]<\/p>\n

M\u00e4rtyrertum hilft der Nation nicht<\/strong>, Conversation with Georg Imdahl, K\u00f6lner Stadt-Anzeiger, 13.04.2010 [DE]<\/p>\n

Drodzy polscy arty\u015bci. Dzie\u0142a wybitne zawsze si\u0119 obroni\u0105. Kompas Sztuki 2009<\/strong>, Kama Zboralska, Rzeczpospolita, 01.04.2010 PL<\/p>\n

Alte und neue Kunst im Dialog,<\/strong> Der Mannheimer Morgen, 01.04.2010 [DE]<\/p>\n

Przemijanie, \u015bmier\u0107, pami\u0119\u0107<\/strong>, Rzeczpospolita, 1.04.2010 PL<\/p>\n

Miroslaw Balka p\u00e5 Tate Modern och Modern Art Oxford,<\/strong>Magnus Bons, Konsten, 28.02.2010 [SV]<\/p>\n

Cia\u0142o okre\u015bla byt,<\/strong>\u00a0Monika Ma\u0142kowska, Polityka, 2.02.2010<\/p>\n

Into the shadows,<\/strong> Sue Hubbard, New Statesman, 14.01.2010 [EN] http:\/\/www.newstatesman.com\/art\/2010\/01\/dark-past-balka-art<\/a><\/p>\n

Miroslaw Balka: Topography and Pawel Althamer: Common Task,<\/strong> this is tomorrow, Contemporary Art Magazine, 13.01.2010 [EN]<\/p>\n

La Sala de Turbinas de Miroslaw Balka<\/strong>, Jos\u00e9 Jim\u00e9nez, ABCD 931 , 09.01.2010 [ES]<\/p>\n

Londra e Oxford. Minimalismo balkanico.<\/strong>, Louisa Buck, da Il Giornale dell’Arte numero 294, 01. 2010 [IT]<\/p>\n

Ranking \u201eArteonu\u201d 2009 – redakcyjny wyb\u00f3r dziesi\u0119ciu najciekawszych, najistotniejszych wydarze\u0144 artystycznych w Polsce w 2009 roku<\/strong>, Arteon 1\/2010<\/p>\n

2009<\/strong><\/p>\n

BUM W KULTURZE<\/strong>, Dziennikarze “Gazety”, Gazeta Wyborcza, 31.12.2009 PL<\/p>\n

Krakowski Ba\u0142ka do posprz\u0105tania i promowania,<\/strong>\u00a0Rafa\u0142 Romanowski, Gazeta Wyborcza, 30.12.2009 PL<\/p>\n

Rze\u017aba Ba\u0142ki w Podg\u00f3rzu pijack\u0105 melin\u0105,<\/strong>\u00a0Rafa\u0142 Romanowski, Gazeta Wyborcza, 29.12.2009 PL<\/p>\n

Afisz. Wydarzenia kulturalne 2009<\/strong>, Piotr Sarzy\u0144ski, Polityka, 15.12.2009 PL<\/p>\n

Z kraju traum i blokowisk,<\/strong>\u00a0Stach Szab\u0142owski, galeria\/wydarzenie, str. 32\/33, 12.2009 PL<\/p>\n

Z nieba nie wida\u0107 z\u0142a.<\/strong>, Monika Ma\u0142kowska, Rzeczpospolita, 21.12.2009 PL<\/p>\n

Niechc\u0105cy sta\u0142em si\u0119 pionierem,<\/strong>\u00a0Conversation with Piotr Kosiewski & Agnieszka Sabor, Tygodnik Powszechny, 20-27.12.2009 PL<\/p>\n

Scolpisco il nero, l\u00ec c’ \u00e8 la vita<\/strong>, Natale Maria Serena, Corriere della Sera, 20.12.2009 IT<\/p>\n

Ba\u0142ka’s Bambi at Birkenau,<\/strong> Adrian Searle, The Guardian, 15.12.2009 [EN]<\/p>\n

Miroslav Balka, Tate Modern & Modern Art Oxford<\/strong>, Fisun G\u00fcner, The Arts Desk, 15.12.2009 [EN]<\/p>\n

Art of Darkness,<\/strong> TomLubbock, The Independent, 14.12.2009 [EN]<\/p>\n

The Turbine Hall at the Tate Modern<\/strong> , David Cross, EyeContact, 12\/2009 [EN]<\/p>\n

Exhibitionist: The best art shows to see this week,<\/strong> Skye Sherwin, The Guardian, 11.12.2009 [EN]<\/p>\n

Contemporary Coming Attractions<\/strong>, Richard Cork, Royal Academy Magazine, Winter 2009 [EN]<\/p>\n

Micha\u0142 Anio\u0142 dzisiaj by filmowa\u0142<\/strong>, Rozmowa z Karolem Sienkiewiczem, Wprost, 29.11.2009 PL<\/p>\n

Na granicy ciemno\u015bci,<\/strong>\u00a0Katarzyna Bzowska, Przegl\u0105d Polski\/Nowy Dziennik, 6.11.2009 PL<\/p>\n

Maszyna do produkcji obraz\u00f3w<\/strong>, Piotr Kosiewski, Tygodnik Powszechny, 1.11.2009 PL<\/p>\n

Nie ma ju\u017c artyst\u00f3w ze Wschodu<\/strong>, Rozmowa z Dorot\u0105 Jareck\u0105, Gazeta Wyborcza, 10.10\/11.10.2009 PL<\/p>\n

Cz\u0142owiek z dobrego rocznika<\/strong>, Milena Rachid Chehab, Przekr\u00f3j, 27.10.2009 PL<\/p>\n

Dark, brooding and magnificent<\/strong>, Rachel Campbell-Johnston, The Times, 12.10.2009 [EN]<\/p>\n

AUSCHWITZWIELICZKA – MIROS\u0141AW BA\u0141KA<\/strong>, KONGRES KULTURY POLSKIEJ 2009, kongreskultury.pl, 22.09.2009 [PL]\u00a0 http:\/\/www.kongreskultury.pl\/title,AUSCHWITZWIELICZKA_-_MIROSLAW_BALKA_,pid,56,oid,264,cid,278.html<\/a><\/p>\n

Tunel Ba\u0142ki znowu zaskakuje<\/strong>, DAH, Gazeta Wyborcza, 18.09.2009 PL<\/p>\n

Ghosts of Treblinka,\u00a0<\/strong>Adrian Searle, The Guardian, 16.09.2009 [EN] http:\/\/www.guardian.co.uk\/artanddesign\/2009\/sep\/15\/miroslaw-balka-interview-tate-modern<\/a><\/p>\n

Dark arts in Turbine Hall<\/strong>, Arifa Akbar, The Independent, 13.09.2009 [EN] http:\/\/www.independent.co.uk\/arts-entertainment\/art\/features\/dark-arts-in-turbine-hall-1801782.html<\/a><\/p>\n

Steeling the limelight. Tate Modern exhibit,<\/strong> Getty, The Financial Times, 13.09.2009 [EN] http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/michael-glover-a-journey-into-the-terror-of-sensory-deprivation-ndash-nearly-1801781.html<\/a><\/p>\n

A journey into the terror of sensory deprivation \u2013 nearly<\/strong>, Michael Glover, The Independent, 13.09.2009 [EN]<\/p>\n

Pami\u0119\u0107 o z\u0142u,<\/strong>\u00a0Agnieszka Sabor, Tygodnik Powszechny, 6.09.2009 PL<\/p>\n

Nie jestem popularny w Polsce<\/strong>, Rozmowa z Joann\u0105 Ruszczyk, Newsweek, 23.08.2009 PL<\/p>\n

Medicine Man<\/strong>, Laura McLean-Ferris, Art Review, 08.2009 [EN]<\/p>\n

I never make comfortable works<\/strong>, Laura McLean-Ferris, ICON MAGAZINE ONLINE, 08.2009 [EN] http:\/\/www.iconeye.com\/read-previous-issues\/icon-076-%7C-october-2009\/miroslaw-balka<\/a><\/p>\n

Stories of a Continuous Past<\/strong>, Brian Dillon, TATE ETC. Issue 17 \/ Autumn 2009 [EN] http:\/\/www.tate.org.uk\/tateetc\/issue17\/balka.htm<\/a><\/p>\n

Zobaczcie nas<\/strong>, Agnieszka Sabor, Tygodnik Powszechny, 26\/28.06.2009<\/p>\n

Od\u0142amki ArtBoomu zasypuj\u0105 Krak\u00f3w w niespodziewany spos\u00f3b<\/strong>, Dawid Hajok, Gazeta Wyborcza, 13-14.06.2009<\/p>\n

Snow Death And Laughter,<\/strong>\u00a0Laura Holland, Preview Massachusetts, 02.2009<\/p>\n

M\u00f3j widz nie oczekuje sensacji,<\/strong>\u00a0Rozmowa ze Stachem Szab\u0142owskim, Dziennik, 28.02.2009 PL<\/p>\n

Polak dla Tate Modern<\/strong>, Dorota Jarecka, Gazeta Wyborcza, 31.01\/1.02.2009 PL<\/p>\n

Why Miroslaw Balka is a great choice for the Tate’s Turbine Hall,<\/strong> Adrian Searle, The Guardian, 30.01.2009 [EN] http:\/\/www.guardian.co.uk\/artanddesign\/2009\/jan\/30\/miroslaw-balka-turbine-hall-tate<\/a><\/p>\n

Tate Turbine Hall to Be Taken Over by Miroslaw Balka (Update1),<\/strong> Farah Nayeri, BLOOMBERG, 29.01.2009 [EN] http:\/\/www.bloomberg.com\/apps\/news?pid=newsarchive&sid=at2JvKsP6nPs&refer=muse<\/a><\/p>\n

‘Master poet’ Miroslaw Balka gets Tate’s Turbine Hall commission,<\/strong> Nosheen Iqbal, The Guardian, 29.01.2009 [EN] http:\/\/www.guardian.co.uk\/artanddesign\/2009\/jan\/29\/miroslaw-balka-tate-turbine-hall<\/a><\/p>\n

Polish artist chosen to fill Tate<\/strong>, BBC NEWS, 29.01.2009 [EN] http:\/\/news.bbc.co.uk\/go\/pr\/fr\/-\/2\/hi\/entertainment\/arts_and_culture\/7858316.stm<\/a><\/p>\n

Why does the Perception of Art Differ Around the World?,<\/strong>Aleksandra Zajac, EUREKA, nr 1\/2009 [PL\/EN]<\/p>\n

There was no single hue, Everything was a melange, a collage,<\/strong> Micha\u0142 Woli\u0144ski, PIKTOGRAM, nr 12\/2009 [PL\/EN]<\/p>\n

2008<\/strong><\/p>\n

Przesz\u0142o\u015b\u0107 jest obcym krajem,<\/strong>\u00a0Magda Raczy\u0144ska-Pusto\u0142a, Magazyn Dziennika, 20-21.12.2008 PL<\/p>\n

A master poet of infinitive vision<\/strong>, Laura Cumming, The Observer Review, 21.12.2008 [EN]<\/p>\n

Abandon hope, all ye who enter<\/strong>, Richard Cork, The Independent on Sunday, 14.12.2008 [EN]<\/p>\n

Pami\u0119\u0107 ukryta w s\u0142owach, obrazach i d\u017awi\u0119kach. Wroc\u0142awska wystawa Miros\u0142awa Ba\u0142ki,<\/strong>\u00a0Bartosz \u0141ukaszonek, Obieg, 22.11.2008 PL<\/p>\n

Nakr\u0119cana mysz<\/strong>, Piotr Stasikowski, Art&Business, 11.2008 PL<\/p>\n

Teraz instalacja,<\/strong>\u00a0Sabina Czajkowska, Arteon, 11.2008 PL<\/p>\n

Rozmyty obraz twarzy zbrodniarza,<\/strong>\u00a0Agata Saraczy\u0144ska, Gazeta Wyborcza, 05.11.2008 PL<\/p>\n

Wideowiwisekcja Holokaustu,<\/strong>\u00a0Jakub Banasiak, Dziennik, 29.10.2008 PL<\/p>\n

Zag\u0142ada w wersji wideo,<\/strong>\u00a0Agata Saraczy\u0144ska, Gazeta Wyborcza, 27.10.2008 PL<\/p>\n

Teraz Ba\u0142ka<\/strong>, Agata Saraczy\u0144ska, Gazeta Wyborcza, 17-23.10.2008 PL<\/p>\n

“Tristes Tropiques” w interpretacji Miros\u0142awa Ba\u0142ki w Dublinie<\/strong>, Karolina Zychowicz, Obieg, 05.04.2008 PL<\/p>\n

Miroslaw Balka: Tristes Tropqiques<\/strong>, Luke Clancy, Art Review, 02.2008<\/p>\n

2007<\/strong><\/p>\n

Preview: Miroslaw Balka, Irish Museum of Modern Art,<\/strong> Jordan Kantor, Artforum, 09. 2007 [EN]<\/p>\n

Pami\u0119\u0107 nie jest niewinna<\/strong>, Stach Szab\u0142owski, Dziennik Polska \u015awiat Europa, 26.01.2007 [PL]<\/p>\n

Bormaszyna z nap\u0119dem no\u017cnym,<\/strong> Rafa\u0142 Jakubowicz, PIKTOGRAM, nr 7\/2007 [PL\/EN]<\/p>\n

2006<\/strong><\/p>\n

SITE Santa Fe\u2019s Sixth International Biennial<\/strong>, Christopher French, Flash Art, 06.10.2006 [EN]<\/p>\n

A Slow Motion Biennial,<\/strong> Frances Colpitt, Art In America, 10.2006 [EN]<\/p>\n

SITE Santa Fe,<\/strong>\u00a0Tema Celeste, 7\/8.2006<\/p>\n

Art Confronts Reality: Zones of Contact \u2013 Biennale of Sydney,<\/strong> Vivian Messimeris, 8.07.2006 [EN]<\/p>\n

The 15 th biennale of Sydney,\u00a0<\/strong>Francesca Pagliuca, Tema Celeste, 5\/6.2006 [EN]<\/p>\n

Artists Picked for SITE Santa Fe<\/strong>, Art in America, 04.2006 [EN]<\/p>\n

Cultures Explored,<\/strong> Louise Hall, The Sun-Herald, 9.04, 2006 [EN]<\/p>\n

2005<\/strong><\/p>\n

51 st Venice Biennale Special,<\/strong> Flash Art, 7\/9.2005 [EN]<\/p>\n

2004<\/strong><\/p>\n

Miroslaw Balka,<\/strong> Emily Speers Mears, ArtForum, 10.2004 [EN]<\/p>\n

Unusual Dimanetions,<\/strong> Fisun G\u00fcner, London Metro, 5.03.2004 [EN]<\/p>\n

Faint Human Traces,\u00a0<\/strong>Morgan Falconer, What\u2019s On in London Magazine. 10-17.03.2004 [EN]<\/p>\n

Miroslaw Balka, White Cube, East End,\u00a0<\/strong>Sarah Kent, Time Out London, 17- 24.03.2004 [EN]<\/p>\n

Silence is Golden<\/strong>, Adrian Searle, The Gaurdian, 3\/9.04.2004 [EN]<\/p>\n

Review \u2013 Miroslaw Balka, Galleria Raffaella Cortese,<\/strong>Francesca Pasini, Artforum, 05. 2004 [EN]<\/p>\n

2003<\/strong><\/p>\n

Nagrobek na opak,\u00a0<\/strong>AKA, “Gazeta Wyborcza”, 14-20.03.2003 [PL]<\/p>\n

Miroslaw Balka at The Douglas Hyde Gallery,\u00a0<\/strong>Jane Humphries, “SSI Newsletter”, April-May 2003 [EN]<\/p>\n

Liturgia pami\u0119ci,\u00a0<\/strong>Agnieszka Sabor, “Tygodnik Powszechny”, 15.06.2003, p. 20 [PL]<\/p>\n

Odbitki z \u017cycia wzi\u0119te,\u00a0<\/strong>Monika Ma\u0142kowska, “Rzeczpospolita”, 8.10.2003 [PL]<\/p>\n

2002<\/strong><\/p>\n

Aldrig kan man vara nog forsiktig, <\/strong>Mikael Olofsson, “Goteborgs-Posten Lordag”, 5.01.2002 [SV]<\/p>\n

World of Interiors<\/strong>, Adrian Searle, “The Guardian”, 12.03.2002 [EN]<\/p>\n

A Fear of the Dark Inside Us,<\/strong> Richard Cork, “The Times”, 22.03.2002 [EN]<\/p>\n

Ariadna si\u0119 powiesi\u0142a. Kolekcja Galerii Foksal w Zamku Ujazdowskim, <\/strong>Pawe\u0142 Polit, Kresy, nr 51-52, March-April 2002, p. 195-197 [PL]<\/p>\n

Troska o rzeczy ma\u0142e. Z Wies\u0142awem Borowskim o sztuce Miros\u0142awa Ba\u0142ki rozmawia Rafa\u0142 Jakubowicz,\u00a0<\/strong>Kresy, nr 51-52, March-April 2002, p. 198-202 [PL]<\/p>\n

Memoria\u0142 sztokholmski – realny gest Miros\u0142awa Ba\u0142ki,\u00a0<\/strong>Jaromir Jedli\u0144ski, Kresy, nr 51-52, March-April 2002, p. 202 [PL]<\/p>\n

Miroslaw Balka at Barbara Gladstone,<\/strong> Gregory Volk, Art in America, April 2002 [EN]<\/p>\n

The Unthought Know,\u00a0<\/strong>Claire Doherty, Art Monthly, April 2002, p. 25-27 [EN]<\/p>\n

Arte pos-11 Setembro,\u00a0<\/strong>Alexandre Mel0, Expresso, 13.04.2002, p. 71 [PT]<\/p>\n

Art Inspired by Joyce?\u00a0<\/strong>Christa-Maria Lerm Hayes, James Joyce Broadsheet, number 62, June 2002 [EN]<\/p>\n

Jedan od najvecih poljskih umjetnika,\u00a0<\/strong>“Jutarnji list vecernje izdanje”, 4.06.2002 [HR]<\/p>\n

Veliki I Mali Strahovi, <\/strong>D. Jendric, “Vecernji list”, 5.06.2002 [HR]<\/p>\n

Djecji crtezi u Balkinom Projektu,\u00a0<\/strong>Vlasta Tolic, “Vjesnik vecernje izdanje”, 6.06.2002 [HR]<\/p>\n

‘Cekaonica’ nadahnuta prostorom MSU,\u00a0<\/strong>R.P., “Novi list”, 6.06.2002 [HR]<\/p>\n

U iscekivanju zbivanja,\u00a0<\/strong>Jasna Gluic, “Slobodna Dalmacija”, 10.06.2002 [HR]<\/p>\n

Oaza mira i koncentracije,\u00a0<\/strong>Svjetlana Martinovic, “Glas koncila”, 16.06.2002 [HR]<\/p>\n

Balka – Arheolog Sadasnjice,\u00a0<\/strong>Leila Topic, “Vjesnik vecernje izdanje”, 17.06.2002 [HR]<\/p>\n

Krhkost egzistencije, <\/strong>Sandra Krizic Roban, “Vjesnik vecernje izdanje”, 17.06.2002 [HR]<\/p>\n

Arheologija privremenosti,\u00a0<\/strong>Marko Golub, “Zarez”, IV\/84, 4.07.2002 [HR]<\/p>\n

Miroslaw Balka – San Gimignano,\u00a0Arte All’\u00a0<\/strong>Arte 7, Arte Continua, San Gimignano, 2002<\/p>\n

The Unthought Known,\u00a0<\/strong>Ian Hunt, Frieze, July-August 2002, p.117 [EN]<\/p>\n

Working up a lather,\u00a0<\/strong>Roger Cox, “The Scotsman”, 20.08.2002 [EN]<\/p>\n

Body of evidence,\u00a0<\/strong>Jack Mottram, “The List”, 22.08-5.09.2002 [EN]<\/p>\n

My part in the rise of Dundee’s new soap star,\u00a0<\/strong>Katrina Brown, “The Sunday Times”, 25.08.2002 [EN]<\/p>\n

Cast away your preconceptions,\u00a0<\/strong>Laura Cumming, “The Observer”, 1.09.2002 [EN]<\/p>\n

The weight of conscience, <\/strong>Duncan Macmillan, “The Scotsman”, 3.09.2002 [EN]<\/p>\n

Oh, the poor things!,\u00a0<\/strong>Tom Lubbock, “The Independent”, 3.09.2002 [EN]<\/p>\n

Miroslaw Balka at Dundee Contemporary Arts,\u00a0<\/strong>John Calcutt, “The Guardian”, 3.09.2002 [EN]<\/p>\n

When death makes a living,\u00a0<\/strong>Moira Jeffrey, “The Herald”, 6.09.2002 [EN]<\/p>\n

Pain of the Holocaust scrubbed raw,\u00a0<\/strong>Iain Gale, “Scotland on Sunday”, 8.09.2002 [EN]<\/p>\n

A Light in the Darkness,\u00a0<\/strong>Giles Sutherland, “Sunday Herald”, 8.09.2002 [EN]<\/p>\n

The Ties That Bind,<\/strong> Elisabeth Mahoney, Art Review, 10.2002 [EN]<\/p>\n

Miroslaw Balka at Dundee Contemporary Arts,<\/strong> Martin Herbert, Frieze, November-December 2002 [EN]<\/p>\n

Obsession pursued with delicacy,\u00a0<\/strong>“The Irish Times”, 20.12.2002 [EN]
\nread here<\/a><\/p>\n

2001<\/strong><\/p>\n

Miros\u0142aw Ba\u0142ka “Between Meals”,\u00a0<\/strong>Tokiko Kawata, Bigaku Kenkyu, vol. 1, 2001 [JA]<\/p>\n

Through Melancholia and Charm. Review, <\/strong>Jennifer Allen, The Nordic Art Review, 1\/2001 [EN]<\/p>\n

O Tadeuszu Kantorze i Miros\u0142awie Ba\u0142ce z Jaromirem Jedli\u0144skim rozmawia Rafa\u0142 Jakubowicz,\u00a0<\/strong>Opcje Dwumiesi\u0119cznik Kulturalny, nr 1 (36), 2001 [PL]<\/p>\n

Miroslaw Balka: The Salt Seller. A new sculptural acquisition of the Art Institute of Chicago, <\/strong>G. Jurek Polanski, Art Scope.net, March 2001 [EN]
\nread here<\/a><\/p>\n

Postacie. Miros\u0142aw Ba\u0142ka,\u00a0<\/strong>Monika Ma\u0142kowska, “Rzeczpospolita”, 27.03.2001 [PL]<\/p>\n

Syzyfowe prace,\u00a0<\/strong>Monika Ma\u0142kowska, “Rzeczpospolita”, 27.03.2001 [PL]<\/p>\n

Niezno\u015bna lekko\u015b\u0107 bytu,\u00a0<\/strong>Maciej Jab\u0142o\u0144ski, “\u017bycie Warszawy”, 27.03.2001 [PL]<\/p>\n

To, co bliskie, znane,\u00a0<\/strong>Agnieszka Kowalska, “Gazeta Wyborcza”, 27.03.2001 [PL]<\/p>\n

Dom odnaleziony,\u00a0<\/strong>Dorota Jarecka, “Gazeta Wyborcza”, 28.03.2001 [PL]<\/p>\n

Wtargni\u0119cie do grobowca,\u00a0<\/strong>\u0141ukasz Ka\u0142\u0119basiak, “Gazeta Wyborcza”. 31.03.2001 [PL]<\/p>\n

Czego nie rozumiemy?,\u00a0<\/strong>Grzegorz Filip, “Rzeczpospolita”, 31.03-1.04.2001 [PL]<\/p>\n

Historie prywatne,\u00a0<\/strong>Agnieszka Wrzesie\u0144, “Przekr\u00f3j”, 13\/2910, 1.04.2001 [PL]<\/p>\n

Wsp\u00f3\u0142rz\u0119dne Otwocka,\u00a0<\/strong>Piotr Sarzy\u0144ski, Polityka, nr 14 (2292), 7.04.2001 [PL]<\/p>\n

Takie bia\u0142e Nic,\u00a0<\/strong>Interview with Miroslaw Balka by Monika Ma\u0142kowska, “Rzeczpospolita”, 7-8.04.2001 [PL]<\/p>\n

Archeologia prywatna i nie\/retrospektywa,\u00a0<\/strong>Stach Szab\u0142owski, Art & Business, June 2001, p. 50-53 [PL]<\/p>\n

Oblicza \u015bmierci. VIII Biennale Sztuki “Wobec warto\u015bci”,\u00a0<\/strong>Danuta Lubina-Cipi\u0144ska, “Rzeczpospolita”, [unknown], A10 [PL]<\/p>\n

Miroslaw Balka pone en sus esculturas “pequenas senales de privacidad”, <\/strong>Margot Molina, “El Pa\u00eds”, 11.04.2001 [ES]<\/p>\n

Miroslaw Balka invoca la pureza en Juana de Aizpuru,\u00a0<\/strong>Inmaculada Garcia, “Diario de Sevilla”, 11.04.2001 [ES]<\/p>\n

Miejsce dla kurator\u00f3w,\u00a0<\/strong>Nawojka Cie\u015bli\u0144ska, “Gazeta Wyborcza”, 17.04.2001, p. 14 [PL]<\/p>\n

Jeder Mensch ist ein Werk,\u00a0<\/strong>Richard Kammerlings, Frankfurter Allgemeine Zeitung, 26.04.2001 [DE]<\/p>\n

El ‘Strip-tease’ de Miroslaw Balka,\u00a0<\/strong>Margot Molina, Babelia, 28.04.2001 [ES]<\/p>\n

Miroslaw Balka,\u00a0<\/strong>Manuel Lorente, “ABC Cultural”, 28.04.2001 [ES]<\/p>\n

Sztuka po Holokau\u015bcie,\u00a0<\/strong>Wojciech Bit, “Przekr\u00f3j”, nr 17\/2914, 29.04.2001, p. 66-67 [PL]<\/p>\n

Onirologia. Wst\u0119p do metakrytyki II,\u00a0<\/strong>Mieczys\u0142aw Por\u0119bski, “Tygodnik Powszechny”, 13.05.2001, p. 12 [PL]<\/p>\n

Ba\u0142ka zn\u00f3w obecny,\u00a0<\/strong>hak, “Gazeta Lubuska”, 24.05.2001 [PL]<\/p>\n

By\u0142o myd\u0142o. Miros\u0142aw Ba\u0142ka w zielonog\u00f3rskim BWA,\u00a0<\/strong>\u0141UK, “Gazeta Wyborcza”, 25.05.2001, p. 9 [PL]<\/p>\n

Zaprosi\u0142 na lep,\u00a0<\/strong>hak, “Gazeta Lubuska”, 26-27.05.2001 [PL]<\/p>\n

Otwocki Dom Miroslawa Balki,\u00a0<\/strong>Stach Szablowski, Przekroj, 27.05.2001 [PL]<\/p>\n

Pe\u0142no i pusto,\u00a0<\/strong>Andrzej Os\u0119ka, “Gazeta Wyborcza”, 14-15.07.2001, p. 20 [PL]<\/p>\n

De wereld van Miroslaw Balka en Stanley Brouwn,\u00a0<\/strong>Luk Lambrecht, “De Morgen”, 14.08.2001 [NL]<\/p>\n

Braeckman, Brouwn en Balka in het S.M.A.K.,\u00a0<\/strong>Els Roelandt, “Tijd Cultuur”, 22.08.2001 [NL]<\/p>\n

Een radicale hommage aan de leegte,\u00a0<\/strong>Luk Lambrecht, “De Morgen”, 3.09.2001 [NL]<\/p>\n

Miroslaw Balka “sweep, swept, swept”. Review,\u00a0<\/strong>Johanna Burton, Time Out New York, 25.10-1.11.2001 [EN]<\/p>\n

100 lat op\u00f3\u017anienia,\u00a0<\/strong>Anda Rottenberg, “Wprost”, 21.10.2001 [PL]
\nread here<\/a><\/p>\n

Critics’ Picks. Miroslaw Balka at Barbara Gladstone Gallery,\u00a0<\/strong>Michael Wilson, artforum.com, 24.10.2001 [EN]<\/p>\n

Verontrustend murmelt het water,\u00a0<\/strong>Martin Pieterse, “Gelderlander”, 8.11.2001 [NL]<\/p>\n

New York Cut Up,<\/strong> Massimiliano Gioni, Flash Art, 11\/12.2001 [EN]<\/p>\n

Romantische soberte van Miroslaw Balka,\u00a0<\/strong>Hans den Hartog Jager, NRC, 5.12.2001 [NL]
\nread here<\/a><\/p>\n

2000<\/strong><\/p>\n

Miroslaw Balka, <\/strong>Patrick Caulfield, Tate Report 2000 [EN]<\/p>\n

Mitteleuropa 1949-1999. Lorand Hegyi Reviews Mitteleuropa,\u00a0<\/strong>Interview with Lorand Hegyi by Catherine Millet, Art Press, January 2000, p. 16-23 [FR\/EN]<\/p>\n

Identyfikacja. Sztuka a rzeczywisto\u015b\u0107 lat 90.,\u00a0<\/strong>B\u015a, “Gazeta Wyborcza”, 14.01.2000 [PL]<\/p>\n

U m\u0119\u017cczyzny ceni\u0119 wra\u017cliwo\u015b\u0107. Miros\u0142aw Ba\u0142ka,\u00a0<\/strong>Wysokie Obcasy, nr 2(42), 15.01.2000 [PL]<\/p>\n

Nekrologi pozostaj\u0105 po karnawale \u017cycia,<\/strong> Interview with Miros\u0142aw Ba\u0142ka by Rafa\u0142 Jakubowicz, “Tygodnik Powszechny”, nr 3, 16.01.2000 [PL]<\/p>\n

To\u017csamo\u015b\u0107 Olimpii,\u00a0<\/strong>B\u015a, “Gazeta Wyborcza”, 20.01.2000 [PL]<\/p>\n

Courageux artistes des pays de l’Est,\u00a0<\/strong>Annick Colonna-Cesari, “L’Express”, 3.02.2000 [FR]<\/p>\n

K\u0142opoty z to\u017csamo\u015bci\u0105,<\/strong>\u00a0Agnieszka Wo\u0142od\u015bko, Przekr\u00f3j, 6\/2903, 11.02.2000, p. 34-38 [PL]<\/p>\n

Wed\u0142ug polityki,<\/strong> Dorota Jarecka, “Gazeta Wyborcza”, 18.02.2000 [PL]<\/p>\n

Du communisme au postmodernisme. Une selection d’artistes des Pays de l’Est,\u00a0<\/strong>Ph. R., Le Journal des Arts, no 99, 18.02-2.03.2000 [FR]<\/p>\n

Strategia doklejania, <\/strong>Barbara Majewska, Rzeczpospolita, 25\/26.02.2000 [PL]<\/p>\n

Siedz\u0119 w poci\u0105gu, a peron odje\u017cd\u017ca. <\/strong>Hanna Krall<\/strong>, Interview by Robert Makowski, “Rzeczpospolita”, 25\/26.02.2000 [PL]<\/p>\n

L’autre Moitie de l’Europe,\u00a0<\/strong>[unknown], De Witte Raaf, n 84, March-April 2000 [NL]<\/p>\n

L’autre Moitie de l’Europe,\u00a0<\/strong>Henry Galy-Carles, L’Iris Espace, March-April 2000 [FR]<\/p>\n

Pod w\u0142os, <\/strong>Andrzej Pagowski, Playboy, Nr. 3 [PL]<\/p>\n

Alfabet Morse\u2019a,<\/strong>\u00a0Monika Kuc, Elle, nr. 3 [PL]<\/p>\n

Bezpieczne negocjacje,\u00a0<\/strong>\u0141ukasz Gorczyca, Art & Business, 4\/2000 [PL]<\/p>\n

L’autre Europe ou est passee l’ame slave?\u00a0<\/strong>Itzhak Goldberg, Beaux Arts Magazine, April 2000 [FR]<\/p>\n

AMNESIA – Die Gegenwart des Vergessens,\u00a0<\/strong>Hajo Schiff, Kunstforum, April-May 2000 [DE]<\/p>\n

Krak\u00f3w kulturalny,\u00a0<\/strong>Wojciech Makowiecki, Gazeta Malarzy i Poet\u00f3w, nr 5, 2000, p. 30-31 [PL]<\/p>\n

Nie lubi\u0119, lubi\u0119,\u00a0<\/strong>Andrzej Os\u0119ka, Polityka, nr 19 (2244), 6.05.2000, p. 54-56 [PL]<\/p>\n

Laughing all the way to Bankside,\u00a0<\/strong>Adrian Searle, “The Guardian”, 9.05.2000 [EN]<\/p>\n

La ricerca dell’idea del sacro,\u00a0<\/strong>Brunella Torresin, “La Repubblica”, 10.05.2000 [IT]<\/p>\n

Le opere di 32 artisti in due sedi differenti,\u00a0<\/strong>[unknown], “La Repubblica”, 10.05.2000 [IT]<\/p>\n

Improvisation blev institution. Wan\u00e5sutst\u00e4llningen etablerad p\u00e5 svenska konstkartan,\u00a0<\/strong>Joergen Klinthage, “Hallandsposten”, 31.05.2000 [SV]<\/p>\n

Subtila sp\u00e5r p\u00e5 Wan\u00e5s marker,\u00a0<\/strong>H\u00e5kan Nilsson, “Svenska Dagbladet”. 3.06.2000 [SV]<\/p>\n

For a few euros more,\u00a0<\/strong>Adrian Searle, “The Guardian”, 20.06.2000 [EN]<\/p>\n

Starka intryck p\u00e5 Wan\u00e5s,\u00a0<\/strong>Tita Nordlund-Hessler, “Eskilstuna-Kuriren med Streng\u00e4s Tidning”, 23.06.2000 [SV]<\/p>\n

Pami\u0105tki uczu\u0107. Nagroda Vincenta – Nominacja dla Miros\u0142awa Ba\u0142ki,\u00a0<\/strong>Monika Ma\u0142kowska, “Rzeczpospolita”, 26.06.2000 [PL]<\/p>\n

Moving life. Tate Modern goes to the movies,\u00a0<\/strong>Sarah Kent, Time Out Magazine, 28.06.2000 [EN]<\/p>\n

In de voetsporen van Vincent van Gogh,\u00a0<\/strong>Stephanie Georges, Het Belang van Limburg, 4.07.2000 [NL]<\/p>\n

Absolut w przedsionku \u015bwi\u0105tyni, <\/strong>mim, Impact, nr 13\/14, July-August 2000 [PL]<\/p>\n

Vincent en de Zorgelijke Muze, <\/strong>Dominic van den Boogerd, HP\/DE TIJD, 4.08.2000, p. 60-64 [NL]<\/p>\n

Dode Zee in een Gesloopt Museum,\u00a0<\/strong>Wiel Beijer, [unknown], [unknown], [NL]<\/p>\n

S\u0142odko-kwa\u015bni. Sztuka m\u0142odego pokolenia w Zamku Ujazdowskim,\u00a0<\/strong>Dorota Jarecka, “Gazeta Wyborcza”, 21.12.2000 [PL]<\/p>\n

1999<\/strong><\/p>\n

Przestrze\u0144 ograniczona cielesno\u015bci\u0105,\u00a0<\/strong>Rafa\u0142 Jakubowicz, Oro\u0144sko, 1 (34)\/1999 [PL]<\/p>\n

Rebellion, adolescent humor plastered all over ICA show, <\/strong>Edward J. Sozanski, “The Philadelphia Inquirer”, 24.01.1999 [EN]<\/p>\n

Sza sza sza,<\/strong>\u00a0Monika Kuc, “Gazeta Wyborcza”, 16.03.1999 [PL]<\/p>\n

Wyciszanie pami\u0119ci,\u00a0<\/strong>Monika Ma\u0142kowska, [unknown], [unknown] [PL]<\/p>\n

\u015amier\u0107 wed\u0142ug Miros\u0142awa Ba\u0142ki,\u00a0<\/strong>LG, [unknown], [unknown], [PL]<\/p>\n

Klepsydra Cia\u0142a, <\/strong>Jaromir Jedlinski, Czas Kultury, Nr. 2, 1999 [PL]<\/p>\n

Three stanzas,<\/strong>\u00a0Maria Morzuch, Max, Nr 2, 1999 [PL]<\/p>\n

W jednej przestrzeni – Kantor, Ba\u0142ka,<\/strong>\u00a0Rafal Jakubowicz, Opcje, nr 3, 1999 [PL]<\/p>\n

Miros\u0142aw Ba\u0142ka. Osam sati topline,\u00a0<\/strong>Interview by Nada Beros, Kontura, Spring 1999, p. 24-28 [HR]<\/p>\n

Sza<\/em><\/strong>ro\u015b\u0107 i cisza<\/em>,\u00a0<\/strong>Rafa\u0142 Jakubowicz, Gazeta Malarzy i Poet\u00f3w, nr 4, 1999 [PL]<\/p>\n

Przycz\u00f3\u0142ek. Z Wies\u0142awem Borowskim, krytykiem sztuki, laureatem Nagrody Fundacji Nowosielskich rozmawia Bogus\u0142aw Deptu\u0142a,\u00a0<\/strong>“Tygodnik Powszechny”, 4.04.1999, p. 28-29 [PL]<\/p>\n

Gotham Dispatch. Miroslaw Balka, Santa Clauses at Barbara Gladstone, <\/strong>Max Henry, Artnet, 5.06.1999 [EN] read here<\/a><\/p>\n

Stal, myd\u0142o, wymiar, beton, s\u00f3\u0142 i \u015bwi\u0144skie jelita – no\u015bniki Historii, <\/strong>Dech Belina, Fedisz Marcin, Max, no 7 [PL]<\/p>\n

Najwi\u0119ksi Tw\u00f3rcy Sztuki XX Wieku – ankieta,<\/strong> Piotr Sarzy\u0144ski, Polityka, nr 40, 1999 [PL]<\/p>\n

Veletrzni palac srovnava vychodni umeni, <\/strong>[unknown], “Kultura”, 14.10.1999 [CS]<\/p>\n

Butelka morse’m. Praca Miros\u0142awa Ba\u0142ki dla The Absolut Company,\u00a0<\/strong>Agnieszka Kowalska, “Gazeta Wyborcza”, 19.11.1999 [PL]<\/p>\n

Miroslaw Balka: Life and Death Struggle, <\/strong>Interview by Juan Vincente Aliaga, Time Out, 22.11.1999 [EN]<\/p>\n

Wall of Joy,<\/strong> Lawrence Rinde, Nest, Fall 1999 [EN]<\/p>\n

Gondolas are optional,\u00a0<\/strong>Aidan Dunne, “The Irish Times”, 28.09.1999 [EN]<\/p>\n

We love you, yeah, yeah, yeah,<\/strong> Richard Cork, “The Times”, 29.09.1999 [EN]<\/p>\n

All you need is a past,<\/strong> Matthew Sweet, “The Independent”, 3.10.1999 [EN]<\/p>\n

Memories are made of this,<\/strong> Lynn MacRitchie, “Financial Times”, 25.10.1999 [EN]<\/p>\n

1998<\/strong><\/p>\n

Cia\u0142o: W\u0119drowiec i Jego Cie\u0144, <\/strong>Interview by Adam Szymczyk, Materia\u0142. Gazeta o sztuce wsp\u00f3\u0142czesnej, nr 1, February\/March 1998, p. 7-9 [PL]<\/p>\n

Stockholm memorial – a real gesture by Miros\u0142aw Ba\u0142ka \/ Memoria\u0142 Sztokholmski – realny gest Miros\u0142awa Ba\u0142ki, <\/strong>Jaromir Jedli\u0144ski, Mare Articum. The Baltic Art Magazine, 2-3 [2\/98], p. 49-53 & p. 146-147 [EN\/PL]<\/p>\n

DIA show stretches the boundaries of fabric,\u00a0<\/strong>Keri Guten Cohen, “Detroit Free Press”, 8.02.1998 [EN]<\/p>\n

Ka\u017cdy ch\u0142opiec boi si\u0119 inaczej \/ Each boy fears differently,<\/strong> Interview by Bo\u017cenia Czubak, Magazyn Sztuki, no. 19 (3\/98) [PL\/EN]<\/p>\n

Idzie ksi\u0105\u017cka ulic\u0105,\u00a0<\/strong>AGDY, “Gazeta Wyborcza”, 6.03.1998 [PL]<\/p>\n

Niczym Hiob,\u00a0<\/strong>Magdalena Ujma, [unknown], April 1998 [PL]<\/p>\n

Memoria\u0142 Sztokholmski – realny gest Miros\u0142awa Ba\u0142ki, <\/strong>Jaromir Jedli\u0144ski, Oro\u0144sko, 4(33)\/1998, p. 22-24 [PL]<\/p>\n

Wywiad (I) Andrzeja Przywary z Miros\u0142awem Ba\u0142k\u0105,<\/strong> Oro\u0144sko, 4(33)\/1998, p. 25 [PL]<\/p>\n

Wywiad (II) Andrzeja Przywary z Miros\u0142awem Ba\u0142k\u0105,<\/strong> Oro\u0144sko, 4(33)\/1998, p. 26 [PL]<\/p>\n

A Sense of time and memory, sadness and loss,<\/strong> Christopher Hume, “The Toronto Star”, 9.04.1998 [EN]<\/p>\n

The deafening silence of the past given voice in art,<\/strong> Gary Michael Dault, “The Globe and Mail”, 18.04.1998 [EN]<\/p>\n

Pisze poezje,<\/strong>\u00a0Rafal Jakubowicz, Czas Kultury, nr. 6 [PL]<\/p>\n

Du\u017cy gmach, du\u017ce talary,\u00a0<\/strong>BART, “Gazeta Wyborcza”, 9.06.1998 [PL]<\/p>\n

Still Waters,<\/strong>\u00a0Eileen Sommerman, Canadian Art, Summer 1998 [EN]<\/p>\n

Luc Tuymans y Miroslaw Balka,\u00a0<\/strong>[unknown], Arte y Parte, September 1998 [ES]<\/p>\n

Campos de Silencio,<\/strong> Oscar Faria, “Publico”,\u00a0 24.09.1998 [ES]<\/p>\n

Serralves poe a prova a sua origem domestica,\u00a0<\/strong>Manuel Morato, “O Comercio do Porto”, 28.09.1998 [PT]<\/p>\n

Un dialogo posible entre artistas visuales,\u00a0<\/strong>Cabello\/Carceller, “El Periodico del Arte”,\u00a0 no 15, October 1998<\/p>\n

Dialogo intimo: Tuymans y Balka,\u00a0<\/strong>[unknown], Lapiz – Revista Internacional de Arte, October 1998 [ES]<\/p>\n

No limite da febre,\u00a0<\/strong>Oscar Faria, “Publico”, 2.10.1998 [ES]<\/p>\n

Privacy,\u00a0<\/strong>A.P., “Expresso Cartaz”, 17.10.1998 [PT]<\/p>\n

Privacy,\u00a0<\/strong>Alexandre Pame (?),\u00a0 “Expresso Cartaz”, 21.10.1998<\/p>\n

1997<\/strong><\/p>\n

El Otro Yo Del Hormigon. Balka, Gormley y Kapoor reunidos en Malm\u00f6,\u00a0<\/em><\/strong>Pepe Vi\u00f1oles, “Liberaci\u00f3n cultural”, 3.01.1997 [ES]<\/p>\n

Men de finns ju h\u00e4r ocks\u00e5…!\u00a0<\/strong>Leif Larsson, “V\u00e4sterbottens-Kuriren”, 11.01.1997 [SV]<\/p>\n

Kunst blir til s\u00e5pe,<\/strong> Frode Christiansen, H\u00e5kon Moslet, “Signaler”, 23.01.1997, p. 37 [NO]<\/p>\n

Kroppens n\u00e6rv\u00e6r – kroppen frav\u00e6r,\u00a0<\/strong>Lotte Sandberg, “Aftenposten”, [unknow], [NO]<\/p>\n

Ba\u0142ka w Oslo,\u00a0<\/strong>Janina Januszewska-Skreiberg, “Dziennik \u0141\u00f3d\u017aki”, 24.02.1997 [PL]<\/p>\n

Miroslaw Balka i Samtidsmuseet,\u00a0<\/strong>Janina J. Skreiberg, “Arberiderbladet”, 28.02.1997 [NO]<\/p>\n

Rozmowy o sztuce (IV). Z Miros\u0142awem Ba\u0142k\u0105 rozmawia Jaromir Jedli\u0144ski,\u00a0<\/strong>Odra, nr 3 1997, p. 62 [PL]<\/p>\n

Miroslaw Balka. Minnenas budb\u00e4rare,\u00a0<\/strong>Marika Wachtmeister, “Femina M\u00e5nadens Magazin”, nr 97-03, 1997 [SV]<\/p>\n

Kontrowersje wok\u00f3\u0142 sztokholmskiego pomnika Miros\u0142awa Ba\u0142ki,\u00a0<\/strong>[unknown], “Rzeczpospolita”, 3.03.1997 [PL]<\/p>\n

Ogie\u0144 i \u015bmier\u0107,\u00a0<\/strong>Janina Januszewska-Skreiberg, “Przekr\u00f3j”, numer 11\/2699, 16.03.1997 [PL]<\/p>\n

Kropp og sjel i flere uttrykk,\u00a0<\/strong>John Harbo, “Aftenposten”, 27.03.1997 [NO]<\/p>\n

P\u00e5 uppt\u00e4cktsf\u00e4rd i parken,\u00a0<\/strong>Ann-Sofie Ingman, [unknown], [unknown], [SV]<\/p>\n

Miroslaw Balka, <\/strong>Interview by Jos\u00e9 Luis Clemente, Arte Y Parte, no 9, June-July 1997, p. 54-61 [ES]<\/p>\n

Minnesm\u00e4rke likt en fartygsf\u00f6r,<\/strong> Beata Arnborg, “Svenska Dagbladet”, 27.09.1997 [SV]<\/p>\n

Till minne av Estonias offer, <\/strong>Kerstin Vinterhed, “Dagens Nyheter”, 27.09.1997 [SV]<\/p>\n

Till minne av offren,\u00a0<\/strong>Per Luthander, “Dagens Nyheter”, 29.09.1997 [SV]<\/p>\n

Efter tre<\/strong> \u00e5r fick tragedin ett monument,\u00a0<\/strong>Annika Engstr\u00f6m, “Svenska Dagbladet”, 29.09.1997 [SV]<\/p>\n

Miroslaw Balka at Galeria Foksal,<\/strong> Marek Bartelik, Artforum, November 1997 [EN]<\/p>\n

Sorgens rum,\u00a0<\/strong>Marika Wachtmeister, “Kristianstadsbladet”, 7.10.1997 [SV]<\/p>\n

Bare bones of the matter,\u00a0<\/strong>Adrian Searle, The Guardian, 16.12.1997 [EN]<\/p>\n

1996<\/strong><\/p>\n

Paszporty “Polityki”,\u00a0<\/strong>Jerzy Baczy\u0144ski, “Polityka”, nr 2 (2019), 13.01.1996 [PL]<\/p>\n

Report from Pittsburgh. Domestic Globalism at the Carnegie,\u00a0<\/strong>Brooks Adams, Art in America, February 1996, p. 33-37 [EN]<\/p>\n

Sztuka to nie anegdota,<\/strong> Interview by Piotr Sarzy\u0144ski, Polityka, 10.02.1996 [PL]<\/p>\n

Miroslaw Balka – Antony Gormley – Anish Kapoor,\u00a0<\/strong>“Sambindning”, 4\/96, 1996 [SV]<\/p>\n

Betong: Se Ditt Inre Rum, <\/strong>G\u00f6sta Nydren, “Cementa”, 4\/96, 1996 [SV]<\/p>\n

Cie\u0144 lnstalacji,<\/strong> Dorota Jarecka, “Gazeta Wyborcza”, 4.04.1996 [PL]<\/p>\n

Nieobecnosc w imie harmonii,<\/strong> \u0141ukasz Gorczyca, ART&BUSINESS, no 5, 1996 [PL]<\/p>\n

Sculptors get ground to build on,\u00a0<\/strong>Donald Miller, “Pittsburgh Post-Gazette”, 8.06.1996 [EN]<\/p>\n

Hirshorn exhibits stresses high anxiety,\u00a0<\/strong>Joanna Shaw-Eagle, “Washington Times”, 23.06.1996 [EN]<\/p>\n

At the Hirshorn, a New World Disorder,\u00a0<\/strong>Jo Ann Lewis, “The Washington Post”, 7.07.1996 [EN]<\/p>\n

Ett alternativ till traditionella monument, <\/strong>Annika \u00d6hrner, “Svenska Dagbladet”, 28.09.1996 [SV]<\/p>\n

1 200 tr\u00e4ngdes p\u00e5 Konsthallen,\u00a0<\/strong>Lilith Waltenberg, “Sydsvenska Dagbladet”, 9.11.1996 [SV]<\/p>\n

I betongens s\u00e4llsamma v\u00e4rld, <\/strong>Larsolof Carlsson, “Helsingborgs Dagblad”, 23.11.1996 [SV]<\/p>\n

Personligt vackert avsked som v\u00e4ger tungt, <\/strong>M\u00e5rten Castenfors, “Svenska Dagbladet”, 23.11.1996 [SV]<\/p>\n

Betongsug fr\u00e5n Underjorden,\u00a0<\/strong>Pontus Kyander, “V\u00e4sterbottens-Kuriren”, 25.11.1996 [SV]<\/p>\n

Betong is beautiful. Ren\u00e4ssans f\u00f6r v\u00e4rldes mest f\u00f6raktade material,\u00a0<\/strong>Nancy Westman, “Dagens Industri”, 7.12.1996 [SV]<\/p>\n

En utmaning i betong,\u00a0<\/strong>Brita Orstadius, “Bor\u00e5s Tidning”,\u00a0 8.12.1996 [SV]<\/p>\n

Miroslaw Balka<\/strong>, Interview by Viggo Cavling, [unknown], 1996 [SV]<\/p>\n

1995<\/strong><\/p>\n

Bruce Nauman: Raw Material,<\/strong> Neal Benezra, ART PRESS, no 184 1995 [EN]<\/p>\n

???,<\/strong> Slawomir Ratajczak, ODRA, 1995 [PL]<\/p>\n

Spotkanie z Ablem,<\/strong> Mieczys\u0142aw Por\u0119bski, ZNAK 1995 [PL]<\/p>\n

Razstava v belem,<\/strong> Mira Novak, DELO 1995 no XXXVII, 10.01.1995<\/p>\n

Bela snezna zgodba,<\/strong>\u00a0Adela Zeleznik, RAZGLEDI, no 2(1033) 20.01.1995<\/p>\n

Kunst i den riktige kontekst,\u00a0<\/strong>Seline Wendt, “Morgenbladet”, 3-9.02.1995<\/p>\n

Kunstnere velger kunst,\u00a0<\/strong>Harald Flor, “Dagbladet”, [unknown]<\/p>\n

(P)referanser,\u00a0<\/strong>Anne Sch\u00e4ffer, “Arbeiderbladet”, 08.02.1995<\/p>\n

Referanser,\u00a0<\/strong>Gunnar Engeg\u00e5rd, “Nordlandsposten”, 01.02.1995<\/p>\n

Kunstmuseet i nettverk av installasjoner,\u00a0<\/strong>Oddvar Rakeng, “Dagningen”, 17.02.1995<\/p>\n

Valdskonsten till Helsingfors<\/strong>, Lars O. Ericsson, DAGENS NYHETER, 17.02.1995<\/p>\n

En cocktail av referanser,\u00a0<\/strong>Sissel Hamre Dagsland, [unknown], [unknown]<\/p>\n

L\u00f8se referanser, <\/strong>Sveinung Ones, “Bergensavisen”, 18.03.1995<\/p>\n

Fremragende samtidsskulptur,\u00a0<\/strong>Siri Skjold Lexaud, “Bergens Tidende”, 22.03.1995<\/p>\n

W poszukiwaniu utraconej wiarygodno\u015bci,\u00a0<\/strong>Interview with Anda Rottenberg, Art&Business, March 1995 [PL]<\/p>\n

L\u00e4mmitett\u00e4v\u00e4t veistokset ovat kuin \u00e4idin syli,\u00a0<\/strong>Timo Salminen, Kotimaa, no 13, 31.03.1995, p. 16<\/p>\n

Rites and wrongs,\u00a0<\/strong>Patrick Wright, “The Guardian”, 10.06.1995 [EN]<\/p>\n

Critic gives an anatomy lesson,\u00a0<\/strong>Sacha Craddock, “The Times”, 13.06.1995 [EN]<\/p>\n

Tate turns to ‘morality’ art,\u00a0<\/strong>Michael Ellison, “The Guardian”, 15.06.1995 [EN]<\/p>\n

Death-defying feet,\u00a0<\/strong>James Hall, “The Guardian”, 20.06.1995 [EN]<\/p>\n

Mortal dangers,\u00a0<\/strong>Sarah Kent, “Time Out”, 21-28.06.1995 [EN]<\/p>\n

Only for the true believers,\u00a0<\/strong>Waldemar Januszczak, “The Sunday Times”, 25.06.1995 [EN]<\/p>\n

Reviews. Rites of Passage: Art for the End of the Century,\u00a0<\/strong>Robert Garnett, Art Monthly, July-August 1995, p. 28-29 [EN]<\/p>\n

Moczenie \u0142\u00f3\u017cka przesi\u0105kni\u0119te eschatologi\u0105,<\/strong> Adam Szymczyk, “\u017bycie Warszawy”, 2.08.1995 [PL]<\/p>\n

Rites of Passage,\u00a0<\/strong>Simon Watney, Artforum, September 1995 [EN]<\/p>\n

until the end of the world,\u00a0<\/strong>Adrian Searle, Frieze, September\/October 1995, p. 40-43 [EN]<\/p>\n

Sygnowane: Ba\u0142ka,\u00a0<\/strong>Piotr Sarzy\u0144ski, “Polityka”, nr 43 (2008), 28.10.1995 [PL]<\/p>\n

All-star casts,\u00a0<\/strong>Interview with Richard Armstrong, Allan Schwartzman, Artforum, November 1995, p. 23-24 [EN]<\/p>\n

International Preview,\u00a0<\/strong>Margie Romero, “In Pittsburgh Newsweekly”, 2-8.11.1995 [EN]<\/p>\n

Djupt ner i sk\u00e5nska leran,<\/strong> Lars Ramklint, “Dn. Kultur & N\u00f6jen, 16.11.1995<\/p>\n

Martwy \u015awit,<\/strong> Andrzej Przywara, “Rzeczpospolita”, no 270 (4223), 22.11.1995 [PL]<\/p>\n

Dawn,\u00a0<\/strong>Sacha Craddock, “The Times”, 28.11.1995 [EN]<\/p>\n

Pr\u0105d \u017bycia,<\/strong> Wanda Kemp-Welch, “Gazeta Wyborcza”, December 1995 [PL]<\/p>\n

Time Pieces,\u00a0<\/strong>Sarah Kent, “Time Out”, 6-13.12.1995, p. 52 [EN]<\/p>\n

1994<\/strong><\/p>\n

Miroslaw Balka,<\/strong> Santiago B Olmo, LAPIZ, no 104, 1994<\/p>\n

Stalowe nerwy lin utrzymuja sciany jego swiata: na marginesie spotka\u0144 z Miros\u0142awem Ba\u0142k\u0105,<\/strong> Jolanta Ciesielska, OBIEG no 63\/64\/65, 1994 [PL]<\/p>\n

Last Rites,<\/strong> Stuart Morgan, Frieze, no 14 January\/February, 1994 [EN]<\/p>\n

Bij Miroslaw Balka loert de dood mee,\u00a0<\/strong>Paul Kokke, “Eindhovens Dagblad”, 12.02.1994<\/p>\n

Pami\u0119\u0107 cia\u0142a. O rze\u017abie Miros\u0142awa Ba\u0142ki,\u00a0<\/strong>Kinga Kawalerowicz, “\u017bycie”, 9.06.1994 [PL]<\/p>\n

Miroslaw Balka, rituales ultimos<\/strong>, Jose Marin-Medina, ABC, 10.06.1994<\/p>\n

Vientos del este,<\/strong>\u00a0Felipe Pereda, EL MUNDO, 13.06.1994<\/p>\n

Miroslaw Balka Takes Society’s Temperature,<\/strong> Christopher Knight, “Los Angeles Times”, 4.07.1994 [EN]<\/p>\n

Society’s Temperature, <\/strong>Christopher Knight, “Los Angeles Times”, 4.07.1994 [EN]<\/p>\n

Two other must-see exhibits in L.A., <\/strong>David Bonetti, “San Francisco Examiner”, 29.07.1994 [EN]<\/p>\n

A Feast for the Eyes, <\/strong>David A. Greene, “Los Angeles Reader”, 29.07.1994 [EN]<\/p>\n

La figuracion nanativa de Miroslaw Balka,<\/strong>\u00a0Juan Vicente Aliaga, EL ARAGUENO, 7.08.1994<\/p>\n

Marjorie Schwartz, “West Los Angeles Independent”, 11.08.1994 [EN]<\/p>\n

Marjorie Schwartz, “Brentwood-Westwood Press”, 11.08.1994 [EN]<\/p>\n

Art Picks of the Week, <\/strong>Peter Frank, “L.A. Weekly”, 19-25.08.1994 [EN]<\/p>\n

Miroslaw Balka, <\/strong>Terry R. Myers, “New Art Examiner”, September 1994 [EN]<\/p>\n

En diffus dofl av Osteuropa,<\/strong>\u00a0John Peter Nilsson, AFTONBLADET, 18.10.1994<\/p>\n

Miroslaw Balka, <\/strong>Suzanne Muchnic, ART NEWS, November 1994<\/p>\n

O galerii Foksal z Wies\u0142awem Borowskim,\u00a0<\/strong>Interview by Magdalena Ujma, Kresy, no 22 [PL]<\/p>\n

1993<\/strong><\/p>\n

Nie o Ba\u0142ce,\u00a0<\/strong>Micha\u0142 Cichy, “Gazeta Wyborcza”, 25.02.1993 [PL]<\/p>\n

Miroslaw Balka, <\/strong>Philippe Regnier, Blocnotes, no 4 1993<\/p>\n

Miroslaw Balka, “… de rest is stilte”,<\/strong> Bert Steevensz, Metropolis, no 5 1993<\/p>\n

Awash in the Venice Biennale, <\/strong>Peter Schjeldahl, “Los Angeles Times”, 20.06.1993 [EN]<\/p>\n

Miroslaw Balka, 37,1,<\/strong> Wies\u0142aw Borowski, OBIEG, [unknow]<\/p>\n

Into the trees,<\/strong> Stuart Morgan, Frieze, no 12, September\/October 1993 [EN]<\/p>\n

Report from the Netherlands. Paratchuting into Arnhem,<\/strong> Janet Koplos, Art in America, no 10, October 1993, p. 53-57 [EN]<\/p>\n

1992<\/strong><\/p>\n

Miroslaw Balka,<\/strong> Christian Karavagna, Kunstforum, 1992<\/p>\n

Miroslaw Balka,<\/strong> Noemi Smolik, Artforum, January 1992<\/p>\n

Miroslaw Balka,<\/strong> David Pagel, Arts Magazine, no 2, 1992<\/p>\n

Schwere der Erinnerung. Der Mies-Stipendiat Miroslaw Balka aus Warschau zu Besuch, <\/strong>Heinz-J. Ingenpahs, “Westdeutsche Zeitung”, 7.02.1992<\/p>\n

Gebraucht, verbraucht, brauchbar,\u00a0<\/strong>fr, “Rheinische Post”, 7.02.1992<\/p>\n

Tranen am Stahlzeit,<\/strong> Christoph Blase, “Frankfurter Allgemeine Zeitung”, no 142, 22.06.1992<\/p>\n

Europas Grosser Sommer-Auftritt,\u00a0<\/strong>Gabi Czoeppan, [unknown], [unknown]<\/p>\n

Spannungsreiches Abenteuer,\u00a0<\/strong>Barbara Weidle, “General-Anzeiger”, 29\/30.06.1992<\/p>\n

Polnische Kunst unter die Lupe genommen,<\/strong> [unknown], “Bonner Rundschau”, 9.07.1992<\/p>\n

K\u00fcnstler bei der Inszenierung Ihrer Austellung,<\/strong> [unknown], “Bonner Rundschau”, 15.07.1992<\/p>\n

Den manskliga svettens slutliga materia,<\/strong> Interview by John Peter Nilsson, Aftonbladet, no 192, 15.07.1992<\/p>\n

1991<\/strong><\/p>\n

Il mite silenzo di un polacco,\u00a0<\/strong>Carolyn Christov Bakargiev, “Il Sole 24 Ore”, no 19, 20.01.1991 [IT]<\/p>\n

Miroslaw Balka,\u00a0<\/strong>Jaap Guldemond, Forum International, No 7, March\/April 1991, p. 77 [NL]<\/p>\n

Miroslaw Balka,<\/strong> Bert Steevensz, Metropolis M, no 2, April 1991, p. 47\u00a0 [NL]<\/p>\n

Offenes Gef\u00fcge,<\/strong> [unknown], “K\u00f6lner Stadt-Anzeiger”, nr. 101\/53, 1\/2 May 1991 [DE]<\/p>\n

Skulpturer p\u00e5 Moderna,<\/strong> M\u00e4rta Holkers, [unknown], 21.06.1991 [SV]<\/p>\n

“Metropolis”: Crossroads or Cul-de-Sac?<\/strong> David Galloway, Art in America, July 1991 [EN]<\/p>\n

Miroslaw Balka.<\/strong>\u00a0Interview,<\/strong> Andrzej Przywara, Flash Art, no 160, October 1991, p. 152 [EN]<\/p>\n

K\u00f6rper und K\u00f6rper,<\/strong> Christian Kravagna, Kunstforum International, bd. 116, November\/December 1991, p. 408-409 [DE]<\/p>\n

1990<\/strong><\/p>\n

Miroslaw Balka at Dziekanka Gallery,<\/strong> Joanna Kiliszek, Flash Art, no 152, 05\/06.1990, p. 171 [EN]<\/p>\n

Miros\u0142aw Ba\u0142ka,\u00a0<\/strong>Jan Stanis\u0142aw Wojciechowski, Flash Art, [unknown], p. 69, 130 [EN\/PL]<\/p>\n

Peter Pakesch. Interview,\u00a0<\/em><\/strong>Flash Art, [unknown], p. 185 [EN]<\/p>\n

Ausserdem, <\/strong>Christoph Blase, Kunst – Bulletin, no. 10\/1990, p. 40-41 [DE]<\/p>\n

Die Hoffnung der beinlosen Ballerinen,\u00a0<\/em><\/strong>Hans Pietsch, “Art”, no. 11, November 1990, p. 148 [DE]<\/p>\n

Euro-vision,\u00a0<\/em><\/strong>Lucinda Bredin, “ES Magazine”, 1.11.1990 [EN]<\/p>\n

On European Sculpture,\u00a0<\/strong>Sarah Kent, “Time Out”, 14-21.11.1990, p. 30 [EN]<\/p>\n

Some transsubstantiation needed, <\/strong>William Packer, “The Financial Times”, 20.11.1990 [EN]<\/p>\n

A world of difference,\u00a0<\/em><\/strong>Andrew Graham-Dixon, “The Independent”, 20.11.1990 [EN]<\/p>\n

Has modern art finally reached a dead end?\u00a0<\/strong>Martin Gayford, “Daily Telegraph”, 22.11.1990 [EN]<\/p>\n

Small-scale and stultifying,\u00a0<\/strong>James Hall, “The Sunday Correspondent”, 25.11.1990, p. 35 [EN]<\/p>\n

The ludi trendency,\u00a0<\/strong>William Feaver, “The Observer”, 25.11.1990 [EN]<\/p>\n

Discursos alienados<\/strong>, Juan Vicente Aliaga, “El Pa\u00eds”, 1.12.1990 [ES]<\/p>\n

Materialen b\u00e4r historia<\/strong>, Lars O Ericsson, “Dagens Nyheter”, 12.12.1990 [SV]<\/p>\n

Symboliken lurar i svettes\u00e4ngarna,\u00a0<\/strong>Gertrud Sandqvist, “Svenska Dagbladet”, 15.12.1990 [SV]<\/p>\n

1989<\/strong><\/p>\n

Trwanie,<\/strong> Maria Morzuch, OKO I UCHO, no I [PL]<\/p>\n

1987<\/strong><\/p>\n

Przeci\u0105g,<\/strong> Anda Rottenberg, NIKE, no 16 [PL]<\/p>\n

1986<\/strong><\/p>\n

Nowa Ekspresja,\u00a0<\/strong>Krzysztof Stanis\u0142awski, “Radar”, nr 31\/35, p. 12-13 [PL]<\/p>\n

1985<\/strong><\/p>\n

Konkurs na symbol, <\/strong>R.K., “Tygodnik Demokratyczny”, 20.01.1985, nr 3(1637) [PL]<\/p>","protected":false},"excerpt":{"rendered":"

2023 ZAWSZE FRAGMENTAnda Rottenberg, Vogue Poland, June 2023 [PL] 2022 Lo spazio del suono, lo spazio della storia. Miros\u0142aw Ba\u0142ka e Pawe\u0142 Mykietyn (La montagna incantata, 2015 e Herr Thadd\u00e4us, 2017), Laura Quercioli Mincer, \u2018900 Transnazionale 6 (2022) [IT] 2021 Miroslaw Balka\u2019s How It Is Showed Me the Way Out of My Own Darkness, Pragya […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":317,"menu_order":9997,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["page"],"acf":[],"_links":{"self":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/comments?post=322"}],"version-history":[{"count":195,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/322\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/322\/revisions\/3384"}],"up":[{"embeddable":true,"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/pages\/317"}],"wp:attachment":[{"href":"https:\/\/miroslaw-balka.com\/en\/wp-json\/wp\/v2\/media?parent=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}